| Cover Picture: Robert Indiana, LOVE Blue Faces Red Sides, 1966–1999, polychrome aluminium |

ART SG

We have waited so many years (since 2018 at least?) to finally see the ART SG art fair come to fruition in Singapore! It certainly shares similar vibes to Art Basel in Hong Kong. In its inaugural edition in 2023, ART SG delivered art by the familiar well-loved artists, as well as the strange and kind of wacky!

Why though…?? I don’t know the title of this artwork, but it’s a play on the classical sculpture Laocoön and His Sons in the Vatican Museums…

Enjoyed seeing artworks from Ben Brown Fine Arts again — my usual art fair favourites are Vik Muniz’s collages of famous masterpieces and Gavin Turk’s humorous bronzes! Giraffe refers to the taped banana artwork fiasco that was Maurizio Cattelan’s Comedian (which was originally shown at Art Basel in Miami Beach in 2019).

Around the World in 80 Days

The exhibition ‘Around the World in Eighty Days’ at Alliance Française de Singapour offered something different! Based on the titular novel by Jules Verne, the exhibition was centred around French innovations in transport and travel on land, sea, air, and even in space.

My favourite part of the exhibition was being able to touch and handle these early editions of the novels which are held in private collections. It’s very nerdy of me, but I love having the chance to touch artefacts from centuries past!

Library of Unread Books

The artwork installation The Library of Unread Books by Heman Chong and Renée Staal was so interesting to discover! As what the name suggests, it’s a library and room filled with unread books donated by the public. My sister and I were so fascinated by the concept that we each donated an unread book of our own! It was also great to skim, glance and read all of the different books on display. This artwork was on show in Singapore earlier this year, and travels regularly — currently it’s in Seoul!

Peranakan Museum

The Peranakan Museum finally reopened after a few years of revamp, and it was nice to see the updated gallery displays. This gorgeous table cover is finally on display in the museum, and it sparkles so delicately with actual glass beads inlaid in the cloth.

National Museum of Singapore

NMS – A Voyage of Love and Longing

I enjoyed seeing this small exhibition ‘A Voyage of Love and Longing’ at the National Museum of Singapore. This exhibition weaves stories and poetry about love and longing from the Malay world, alongside drawings of birds, plants, and flowers contained in the museum’s William Farquhar Collection of Natural History Drawings. It provides a new kind of perspective which I thought was very nicely done!

NMS – Now Boarding

I highly recommend checking out ‘Now Boarding: Experiencing Singapore through Travel, 1800s – 2000s’ at the National Museum of Singapore! It’s currently on show till 25 February 2024. I spent so long looking at all the details of the exhibits, and loved seeing an older side of Singapore through the years.

If you can, also take a dance in the NMS Disco with a friend! You can choose from beginner to advanced level difficulty and dance along to some old grooves! A video recording of your dance will be made available to one of the participants (via an app or link or something). It really made me laugh to see my friend and I dancing in somewhat embarrassing fun!

Immersive Disney Animation

2023 was also the year of Disney100, and I embraced that fully!! I watched 3 Disney movies, got a tote, went to Hong Kong Disneyland, watched the Frozen musical… and also visited the ‘Immersive Disney Animation’ exhibition! It is currently showing until 25 February 2024.

The highlight is the one-hour long immersive video experience showing clips from various Disney cartoons and animations. There are only some couches in the middle, so almost everyone sits on the floor out of consideration to allow everyone to watch the screens!

I loved watching my old and new favourite Disney classics in the immersive experience, but I was quite peeved to miss most of the exhibition area before going into the immersive experience. The time slots are tight (and last for 90 minutes only), so the staff were calling everyone to go into the immersive viewing area early. We thought we could return to the exhibition area but weren’t allowed to — so do spend enough time to check out the exhibits before running in!!

Gardens by the Bay

Tulipmania: Origins of the Tulip

I spent more time visiting Gardens by the Bay this year, and I decided to include these pictures specially because I enjoyed seeing these beautiful flowers so much! I finally visited my first-ever Tulipmania, as I thought it was so unique that Gardens by the Bay went for a Türkiye theme this year! Loved seeing the exhibits nestled among the tulips as well.

Orchids of Machu Picchu (and Avatar: The Experience)

I finally revisited Cloud Forest at Gardens by the Bay after many years, and managed to catch both Avatar: The Experience and ‘Orchids of Machu Picchu’!

‘Orchids of Machu Picchu’ is still ongoing. The flower exhibition includes some very beautiful orchids, along with Peruvian artefacts like these replicas of receptacles (shown above). I’m loving the educational bent that Gardens by the Bay is taking with their recent events with Orchids of Machu Picchu and with Tulipmania this year.

Only after revisiting Cloud Forest now did I realise Gardens by the Bay kept one of the best Dale Chihuly glass sculptures in their conservatories! In 2021, Gardens by the Bay held a Dale Chihuly exhibition, see here for the post!

That’s a wrap! In 2023 I also visited Hong Kong’s new and revamped museums, which I’m also looking forward to sharing more about on Wording Art! At this moment, I’m just happy to have seen all these art, exhibitions, and immersive experiences — including the excellent Van Gogh Immersive Experience — right here in Singapore. :)

The post Art of 2023 appeared first on Wording Art.

| Cover picture: Hiromi Tango, Dr Emma Burrows and Dr Tilman Dingler, Wheel, 2021, at ArtScience Museum’s MENTAL: Colours of Wellbeing |

Asian Civilisations Museum – Russel Wong in Kyoto

Russel Wong in Kyoto was first shown alongside Life in Edo in 2021, and then it was extended into 2022! Additional photographs by Wong were added, keeping the focus on an inside look of geikos in Kyoto, but I also really liked the atmosphere of showing Kyoto in flowering season.

National Gallery Singapore – Chua Mia Tee: Directing the Real

I was able to visit this exhibition twice because it went on for about a year — early on in January and one more time on its last day! This is a solo exhibition dedicated to Singaporean artist Chua Mia Tee, and I enjoyed seeing his views of Singapore back in the old days…

Victoria Theatre and Concert Hall (shown on right of painting) is missing its crown at the top of its dome! I found this missing detail so funny, because I only learned a while back too about the building’s crown! Also my favourite work of architecture in Singapore.

Singapore Chinese Cultural Centre – Life is Sweet: Ang Ku Kueh Girl Exhibition

Found this a sweet exhibition and I loved these uplifting messages along with these cute Ang Ku Kueh Girl illustrations!

Han Sai Por’s Microorganisms Landscape

The use of the Jendela art space at the Esplanade for Han Sai Por’s mixed-media Microorganisms Landscape was pretty good! I also liked seeing a different side to Han’s work, who is well-known for her sculptures which are easily found across Singapore.

Hong Kong: Through the Looking Glass miniature exhibition《細看香港》

Take me back to Hong Kong!!! Here’s to me doing that in 2023!!! In the meantime, I loved seeing these miniatures of everyday Hong Kong scenes — and there were so many other people viewing this exhibition too!

200 TRUNKS, 200 VISIONARIES: THE EXHIBITION

In celebration of the 200th anniversary of Louis Vuitton’s birth, LV launched this exhibition that invited 200 artists, creatives, and some celebrities to reinterpret the classic LV trunk. Singapore was the second stop for this travelling exhibition, which is really cool! Loved the ideas and creativity that was abounding here.

National Museum of Singapore – OFF / ON: Everyday Technology that Changed our Lives, 1970s – 2000s

More throwbacks to an older Singapore, I really liked these room set-ups like the barber salon and the photographer’s studio!

i Light Singapore

i Light finally returned after its last showing in 2019! It was really nice walking around the Marina Bay area again at night to see all the lights.

My favourite from i Light this year was Firefly Field! They are electronically controlled but appear to sway naturally in the wind.

Botanic Gardens Gallop Extension

I finally visited the new(-ish) Gallop Extension at Botanic Gardens, and I definitely want to visit again! There are two black and white houses named Inverturret and Atbara, and you can explore their interiors, learn more about the colonial era architecture, and see exhibitions and highlights from the Singapore Botanic Gardens collection.

Asian Civilisations Museum – Batik Kita: Dressing in Port Cities

Popped by ACM again to see the exhibition Batik Kita, that featured batik in textiles in both its traditional and contemporary forms.

Malay Heritage Centre – Cerita

I visited the Malay Heritage Centre before it closed for renovation, and its last exhibition was Cerita (Stories). The highlight piece for me was this stunning painting by Raden Saleh!

Lee Kong Chian Natural History Museum

Finally visited the Lee Kong Chian Natural History Museum for the first time ever — after so long! It’s situated within the campus of National University of Singapore, and the museum exhibits are set across two stories. I thought it was really well done; it’s cool to see Singapore’s very own dinosaur exhibits, and I was also particularly taken by the molluscs section!

National Gallery Singapore – Wu Guanzhong: Travelling with the Master

I still think that the best Wu Guanzhong exhibition at National Gallery Singapore was Wu Guanzhong: Beauty Beyond Form in 2016. The latest showing Wu Guanzhong: Travelling with the Master was a little cobbled together, but it was still nice to see some really great works by Wu.

National Gallery Singapore – Nothing is Forever: Rethinking Sculpture in Singapore

Running from 29 July 2022 to 5 February 2023

Haha, I couldn’t help myself! It doesn’t matter when one doesn’t ‘get’ the art, just pose with it and have fun…!

House of Dreams

I loved this display of Barbie dolls at House of Dreams hosted at the Ion Orchard art gallery space, it was so pink, bright and fabulous! Loved the vintage looks to the contemporary ones, with my favourites below!

Asian Civilisations Museum – ACM and Anima Mundi: Chinese Christian art from the Vatican Museums 

Currently showing

This exhibition of loans from the Anima Mundi (Soul of the World), Vatican Museums at ACM featuring Chinese Christian art seems to be getting little traction, but it’s a really nice display of works incorporated within ACM’s Christian art gallery! The works of Chinese Christian art makes for both a strange and interesting combination that I’ve never really encountered before.

ArtScience Museum – MENTAL: Colours of Wellbeing 

Running from 3 September 2022 – 26 February 2023

I thought that MENTAL was both fun and a little quirky! The exhibition’s take on mental health and wellbeing was not exactly what I was expecting (I thought I should come out of it feeling nice and cosy or something like that??), but there was a good variety of responses and artworks that related to the theme.

Even in Fear by Zhou definitely made me feel a little more anxious than I should have! The white balloon in the bright pink container keeps expanding and filling up the space until it looks like it’s going to explode — and then it deflates, and the cycle repeats again.

I thought this work Hello Human, Hello Machine was really fun because you could pick up the payphone and it connects you to someone and start a conversation! But, spoiler alert, I am convinced that the person on the line is pre-recorded……

In Mirror Ritual, you look into the mirror and the AI machine presents you with a poem based on the emotions on your face. I gave it my best neutral expression and this is what I got, which cracked me up!!

I thought this was the perfect note to end this post with. Thank you 2022, you’ve been a ride — and of course, one of my ultimate highlights of the year was visiting London, and I should do another highlight post of that! I hope the new year 2023 treats you well, and that you be kind on yourself too! Let’s see what it will bring…

The post Art of 2022 appeared first on Wording Art.

And what a time to be there, while London prepped its streets for the epic Platinum Jubilee (and I left just one week before the holiday!). I was also so excited to see the gorgeous Big Ben, which has been freshly restored and the clock dials are now back to their original

blue colour!

I took hundreds of photos every day and the memories are still fresh in my mind. So I wanted to write all about it on my blog to relive all of the days! I will be sharing about my itinerary my style which is basically: art, museums and bookstores (plus libraries and archives).

In 3 weeks I went to these museums for my art and history side:

• The Courtauld Gallery
• The British Museum
• The National Gallery, London
• Royal Academy of Arts
• The Wallace Collection
• Tate Modern
• Kenwood House
• V&A Victoria and Albert Museum
• Tate Britain
• Imperial War Museum
• Natural History Museum

And these libraries & bookstores for my bookish side:

• The British Library
• Waterstones
• London Review Bookshop
• Daunt Books Marylebone
• The Notting Hill Bookshop

That’s a preview of what’s to come! I also very importantly, saw artworks by the artist that I’m researching, Angelica Kauffman, for the first time in person and they were absolutely beautiful. I can’t emphasise enough now how important it is to see art in person.

In the words of Wonder Woman in WW84: “It’s all art.” And that certainly applies to London. ❤️

Find more posts from my London Art Series at this tag!

The post London Spring 2022 | Art, Museums and Bookstores appeared first on Wording Art.

National Gallery Singapore

The art of 2021 began with National Gallery Singapore’s Light to Night festival, which is always pretty fun with their art installations! Just went to see some at 2022’s edition too.

Something New Must Turn Up: Six Singaporean Artists After 1965

I’ve seen Eng Tow’s Grains of Thought twice at Asian Civilisations Museum and now at its spot at Jewel Changi, and I found it fun to see these maquettes / models for the actual artwork in the exhibition Eng Tow – the sixth sense (part of Something New Must Turn Up), which were a lot smaller!

My favourite exhibition in Something New Must Turn Up was Jaafar Latiff: In the Time of Textile — really liked seeing these colourful, Futurist-looking, abstract pieces.

Antony Gormley – on view 6 August 2021 – 30 October 2022

My first encounter with Antony Gormley’s human figures was back in 2016, when ‘Event Horizon’ Hong Kong placed several of these standing men at the top of buildings and in the middle of the streets in Central — and I had fun posing with one of them! And this one has now fallen face-flat on the Gallery’s beautiful floors…

Kind of weird / funny to see this steel mass in the middle of such colonial architecture! A bit out of place or an interesting contrast?

Horizon Field Singapore on the rooftop of National Gallery Singapore looks fantastic (and different from so many angles), and it’s great to take photos with!

Nam June Paik: The Future is Now – 10 December 2021 – 27 March 2022

Nam June Paik is such a big name and an important artist, so I definitely had to check out this exhibition! It’s a travelling exhibition, and it’s making its last stop at National Gallery Singapore. I can’t say that I’m a huge fan of his work, but it’s a good exhibition to see nonetheless.

Also be sure not to miss these three works located in the basement of the Gallery — Sistine Chapel is probably the most seminal work of Paik’s.

Siapa Nama Kamu? Art in Singapore since the 19th Century

I’ve wandered through Siapa Nama Kamu? [What’s Your Name?] quite a number of times, and it’s always nice to see some refreshed works in this permanent exhibition. I just saw Wu Peng Seng’s photographs, and I really liked the ones with the ballerina: The Long Shadow and First Step.

Between Declarations and Dreams: Art of Southeast Asia since the 19th Century

Siapa Nama Kamu? is much smaller than Between Declarations and Dreams (3 galleries in the former and 14 galleries in the latter), and I only realised last year that I haven’t actually seen the whole of Between Declarations and Dreams properly before. So I took the afternoon to track down all the galleries and had a look at everything.

My favourites are still the works of Raden Saleh — Boschbrand is stunning, but I wish there was more explanation of the work. While we see these animals driven to the edge of the cliff due to a forest fire, I’m inclined to think that there is a deeper, or symbolic meaning to this image. In any case, here’s to a roaring Year of the Tiger…!

Gorgeous pieces giving me Turner-esque vibes.

National Museum of Singapore

Modern Colony: 1925–1935

I’m not sure how or why, but I can’t believe I’ve not seen these galleries in National Museum of Singapore on the second floor?! They trace the modern history of Singapore, and I really liked this one on the ‘Modern Colony’. It’s the Twenties vibes for me!

PSM50: Celebrating the Golden Jubilee of Singapore’s Preservation Journey

I stumbled across this exhibition presented by the Preservation of Sites and Monuments division of the National Heritage Board (to mark 50 years of preservation in Singapore), and there were these small artefacts and models of the 73 National Monuments of Singapore!

This cube was exhibited on a turning display, and the top has an image of a war memorial. Unfortunately, I forgot to record what this piece is about and what monument it’s displaying, but I took these photos of it as I was taken by what it says of the ‘Folly of War’.

Singapore History Gallery

This amazing portrait by John Singer Sargent is in the basement gallery of the National Museum of Singapore — the Singapore History Gallery — and I’m sure I’d seen it before years ago but didn’t know of Sargent at the time. I was part of a British Art class in the last semester, and my professor mentioned that there was a Sargent in the National Museum, so I had to track it down!! It’s huge, lush and the paintwork is gorgeous.

The Sargent painting is situated between two other portraits painted by John Edgar Williams (left) and William Orpen (right), but those are just not as impressive.

Kranji War Cemetery

As part of that aforementioned British Art class, we did a field trip to the Kranji War Cemetery, also known as the Kranji War Memorial. It’s part of the Commonwealth War Graves Commission (CWGC) that maintains cemeteries across the world, remembering the “men and women of the Commonwealth Forces who died in the First and Second World Wars”.

It was my first time at the Kranji War Cemetery, and it might seem a bit surprising that it is so beautifully maintained. I posted about this on my IG earlier, and my mixed feelings still remain the same. Seeing these individuals’ names and their families’ messages for them is both sad and humbling in a way.

Out and About

A cute display at Funan Mall of Lego displays of Singaporean / hawker food that I spotted back in May!

Another random, gorgeous Lego display of the Fullerton Hotel located at One Fullerton opposite that I saw in November!

I always like to glimpse at the window displays of fashion houses as sometimes, there are some really well-done and interesting displays! Hermès at Liat Towers frequently has these fun, quirky or just aesthetic window displays.

Burberry’s Olympia bag installation

This was just fun and random! The Burberry’s Olympia bag installation made its third appearance in Singapore’s Ion Orchard after floating down London’s River Thames (stunning!) and appearing in Dubai too.

KAWS:HOLIDAY

KAWS is just so popular now, and no matter what you think of the art or of the character, I think it’s good time to embrace it! Was quite surprised to see the crowds lining up to see KAWS:HOLIDAY at the Floating Platform, and I still like to keep my social distancing, so I zoomed in on the KAWS balloon (?) installation from afar on the Helix Bridge!

A good reminder to look up — some of Singapore’s architecture have these stunning ceilings that you might not notice on the daily, but it’s nice to take a moment to look up every once in a while.

Marina Bay Sands Hotel

Speaking of ceilings, the Marina Bay Sands Hotel has this absolutely stunning Gormley installation scattered across the ceiling right at the front entrance of Tower 1. The picture does not do it justice! Fun fact: the work is suspended across levels 5 and 12 of the atrium of Hotel Tower 1.

Seeing Dale Chihuly‘s The Setting Sun and The Moon in the Gardens by the Bay from high up on Marina Bay Sands Hotel’s rooftop!

Panoramic view from the window of the MBS Hotel room we were staying in — so, so incredible.

Breakfast in style — this staycation at the Marina Bay Sands Hotel was The Highlight of 2021, and I felt very lucky and blessed to be a plus one to my sister of City Girl, City Stories who was invited to view the exhibition Orchestral Manoeuvres at ArtScience Museum, which was also amazing!

Basically the Marina Bay Sands Hotel is a work of art, and they also have a lot of artworks displayed across its premises, which I’ll love to post about at a later time! Till then, best wishes for 2022 / the Year of the Tiger and let’s go forth and embrace where life takes us!

The post Art of 2021 appeared first on Wording Art.

The exhibition is split into three main sections: The Flower Dome & Cloud Forest conservatories, the Outdoor Gardens and Gallery, and the free (!) public exhibits. I chose to skip the conservatories because I thought the price for that was too steep… There are varying admission rates for visiting the different sections, but I paid $16 to see the exhibits in the Outdoor Gardens and Gallery, and went to hunt down the public exhibits too!

Public Exhibits

I’m starting off this post with Blue and Purple Boat, simply because it took me so long to find the Victoria Lily Pond! I’m so glad I didn’t miss out on this one — the spiky blue and purple ‘baubles’ (?) look so great within this beautiful pond. I felt a great sense of accomplishment after finally finding it!

I’d never heard of ‘Walla Wallas’, and I was wondering what the title of this work was referring to… But it occured to me that these floating pieces looked a lot like onions! Turns out my visual analysis was on point, because I found out that they are made after the Walla Walla sweet onion, also the state vegetable of Washington in USA!

I think End of the Day Persian Chandelier might be my favourite exhibit, and I love how it matches the pattern of the SG50 Lattice so well. This is the day view of how it looks like, and the picture below was taken in the evening when the sun was beginning to set. So gorgeous at all times of the day.

There is one more glass sculpture Paintbrush Tower that’s located outside Gardens by the Bay, and it’s at the Fullerton Bay heritage area outside the Fullerton Bay Hotel. This was the only work of Chihuly’s that I viewed at night, and I like how it looks lit up at night too.

Outdoor Gardens

The Setting Sun was in fact the first work I saw at Gardens by the Bay, in The Meadow. This photo was aptly taken when the sun was beginning to set. I really like how this work looks like a fiery ball of energy with so many individual curly glass pieces in red, orange and yellow.

And then there is its quieter counterpart The Moon, located on the slope-y part of The Meadow.

I thought that the way Black & Green Striped Herons and Green Grass almost blends in with the natural scenery of Serene Garden here was very nicely done!

I remember discovering this small stream in the midst of the Japanese Zen garden-inspired space of Serene Garden early last year, and I just love it! Now it leads to Yellow Herons in the pond situated in front of a small waterfall.

I love the detail of Ethereal White Persians, and I also find it fascinating how there’s a black outline for each of the white flowers! Actually, it seems like my favourite of Chihuly’s is all those from the Persians series…

Appreciated the dramatic jutting out of Turquoise Reeds from the middle of this rock installation, especially as we are viewing it from below.

I’m not sure if I have visited the World of Plants section in Gardens by the Bay before, but it’s not my favourite area… Out of the four works shown here, I liked Pearl and Obsidian Fiori the most!

Gallery (next to SG50 Lattice)

I was surprised to find that the Gallery contained a small exhibition of its own featuring smaller-scale works by Chihuly, including sculptures and abstract mixed media pieces. The first exhibit in the Gallery was Macchia Forest, and I was trying to decide which piece(s) were my favourite and that I’d love to own in my ideal home…

I really liked these ikebana-inspired works on paper, showing another side to Chihuly. They look like they were made in a very free and relaxed manner, and it’s interesting to contrast them with the glass sculpture version (shown below).

The effect of this series of Glass on Glass paintings looks really nice in person, but it just doesn’t translate very well on my camera! It’s meant to look a little different every time you shift positions in viewing them, and I loved how the colours of each seemed to shift too.

Ended off my visit with a bang with this massive Radiant Yellow Icicle Chandelier! I just like how Chihuly’s glass is so ‘easy’ to look at, and I love all the varying shapes and colours. I’m giving this exhibition 4.5 stars! Share your opinion too by giving your rating below. :)

Dale Chihuly: Glass in Bloom runs until 3 October 2021, and you can find more info on the exhibition and the works at this dedicated site!

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In the snippet of the art scene (at the 2:12 mark) featured in the first WW84 trailer, Diana Prince (played by Gal Gadot) shows Steve Trevor around a 1984 Washington D.C. As Diana currently works at The Smithsonian as an anthropologist, it’s very fitting that she brings Steve to the Hirshhorn Museum and Sculpture Garden, which is the modern and contemporary art museum ‘arm’ of the Smithsonian. (I had to research all this!)

I went to look up the actual artwork that was featured in the scene, and it turns out to be a Lichtenstein Brushstroke sculpture that in fact belongs to the Hirshhorn! See my Sculptures on the Street post for more of the Brushstroke sculptures as seen in Singapore’s Suntec City! Some art critics have critically pointed out the fact that Brushstroke was made some time past 1984… but why pass up the chance to feature art in pop culture!

Steve didn’t have much to say about the massive public sculpture, and Diana had to explain to him that ‘it’s all art’. That makes sense to me, since Steve died back in 1918 when the First World War ended, so he wouldn’t have seen art like this before… But what really cracks me up is how he was considering a trash can! A guy living in the 1910s surely wouldn’t have the sensibilities to think a trash can as an artwork — or even anyone living in the 1980s, I think. This feels like a 21st century or 2010s joke, more like!

Let me present some examples of trash bags as art: see Gavin Turk’s Refuse (go here) and American Bag (go here) in Art Basel Hong Kong, and more recently, there was a gold-coated dustbin as seen at S.E.A. Focus (go here).

Art or jokes aside, I really loved how Steve gestured with a hand above the trash can in relief like, let it stay a trash can!

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On that cover picture: I was finalising edits of my QE report at the very lovely Little House of Dreams café in Tiong Bahru post-circuit breaker, when I could finally work outside of home! That’s the title page on my laptop, and I’d definitely like to share more about my research soon!

So what is this Qualifying Examination? Different programmes might have another term for it, but the purpose of this exam is similar across the board. For MA (Research) / PhD programmes, the qualifying examination is held after the completion of courses. There’s a written component in the form of a report, and an oral component in the form of a presentation. It’s a means for determining your progress in your research, or just to determine if you are fit enough to keep going — like ‘passing probation’, if you will! At NTU, where I’m doing my MA (Research) programme in Art History at ADM, the Qualifying Examination is held a year in. That’s what was happening with me in early September.

I have to say — writing the report was hard. It appears straightforward: it includes a listing of your literature review, aims and objectives, methodologies, chapter outline, bibliography, etc. (to sum up the main sections). Sometimes I feel like I can envision my actual, final thesis — certain points I want to make; specific images and comparisons I want to look at. But suddenly, when I was forced to think about my methodology and chapter titles, I realised that I hadn’t given a thought to it at all! I suppose in research, you always feel the initial need to build up a big, wide topic to show that you have something important to study, then you begin working on it and have to break it down again to the specifics. I struggled with writing my literature review, methodology and outline of chapters — which pretty much makes up the whole report! After multiple drafts and lots of random googling (like what’s the difference between aims and objectives??), things somehow miraculously came together. I’m now glad I have a working structure of how the whole thesis is going to look like!

In a normal world, the presentation of the QE is always held in person. With this ‘new normal’ though, I had my exam over Microsoft Teams — which I was not expecting! Funny to think that I didn’t even know how to use Teams until May this year, and it’s now become somewhat familiar (I prefer it to Zoom).

I’ve seen so many articles and posts where people say that they hate having virtual meetings, and I’m definitely in that group of people who dislike meeting virtually, much less for an exam! While presenting, it felt like I was talking to myself (especially as everyone else had turned off their cameras), and I had to keep reminding myself that people were still watching and listening! It feels strange not to see people’s reactions as you’re presenting — your education has trained you to present in front of people, but when that’s taken away in a virtual space, it feels like a whole other ball game.

Though on the flip side, the advantage of presenting virtually is having more privacy — after all, everyone only sees your head and shoulders on screen, and I could have my notes scattered everywhere around me without anyone seeing it, haha! I could hang up on my Teams call after my presentation and immediately slump over and breathe a big sigh of relief.

In any case, I’m happy to say that I passed! Now, having had time to process what has happened, I’m glad to have had this experience. It’s a good opportunity to present my research, a clear way to see how my research has developed, and to hear the ideas, feedback, or perspectives that others (i.e. the examiners) bring to the table. It’s also a major milestone to clear, and completing it comes with a sense of accomplishment. These little moments are really much needed along the path of graduate school, especially when things get busy, difficult and overwhelming. Yet at the same time, I’m realising that I’m becoming more of a nerd, and I’m enjoying my research! All the work though — it’s time to get back to it…

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As mentioned in my Art of 2018 post, I have so many opinions to share, so do read on as I go on at length, lol! My review of Minimalism at ArtScience Museum will be coming up soon in a separate post.

| Cover picture: Peter Kennedy, Neon Light Installations, 1970-2002, neon, composition board and synthetic polymer paint |

When the news of this new ‘blockbuster’ exhibition was released, I was quite curious and excited to see what National Gallery Singapore would come up with. Minimalism / Minimalist Art honestly isn’t the kind of art that I like that much, so I was expecting to learn more about Minimalism in the context of 1960s New York where it originated.

To start off with the exhibition opener, a little context is needed: At National Gallery Singapore, you go through a set of doors where there’s a small space, before going through another set of doors to enter the exhibition proper; same goes when you’re exiting each exhibition gallery.

So, I was a little rattled when I went through the first set of doors to be unexpectedly greeted by… Minimalist music? That was before I discovered that this was a sound exhibit and these musical exhibits are also played in other spaces between the exhibition galleries. In all fairness, I’m not that open-minded about music as I am towards art, so I find it difficult to get attuned to these kinds of ‘experimental’ music, if you will.

And then, the first exhibits you see is a section of black paintings by different artists, including Frank Stella, Ad Reinhardt, Mark Rothko, and Barnett Newman. I know that the argument goes that you should slow down and ponder on these paintings… but I just don’t see how opening an exhibition with a selection of purely black paintings is a good idea.

The beginning of the Minimalism exhibition follows a textbook example with artworks by notable Minimalist artists like Donald Judd, Robert Morris, Sol LeWitt, Dan Flavin, and Carl Andre. Take a look at the Tate’s explanation of Minimalism here to find out more, I also find Tate’s series of Art Terms very helpful!

I find this Sol LeWitt drawing very interesting because it’s drawn by an artist from Sol LeWitt’s studio along with the help of four former LaSalle students – a nice touch! – based on the artist’s instructions. I’m still not too sure how I feel about this concept of works created from an artist’s instructions that is commonly seen in Minimalist and conceptual art from the 1960s and 70s.

On this matter, I also want to share this recent article from The Art Newspaper about the Guggenheim decommissioning works made from instructions that were deemed not authentic enough.

The main issue I had with this exhibition comes up really quickly in the first gallery alone – the space was overly crowded with artworks. Minimalist art demands the viewer to be conscious of the space that the artwork is engaging with (ref: Tate). At this exhibition, I really did feel that I needed more space to consider the works, but there were so many artworks placed quite close to each other. From just a picture of/with Ian Burn’s work, you can see three other works reflected in it!

Ian Burn’s No object implies the existence of any other is “based on a quote from the 18th century Scottish philosopher David Hume on the nature of perception, knowledge and understanding.” I don’t fully grasp the meaning, but it’s funny how this object sure does reflect the existence of a few other objects in this setting.

I visited the exhibition on two occasions in December and later in February this year, but Dan Flavin, monument for V. Tatlin #43 was still not working…

I have a new fascination with Mona Hatoum’s works after seeing Impenetrable and + and – (at ArtScience Museum) in person. As I’ve always said, it really makes such a difference seeing art for yourself compared to seeing it on a screen!

At this point, the exhibition starts to break away into examples of how Minimalist tendencies have continued in contemporary art, such as Minimalism in London (e.g. Hatoum) and Minimalist work in Asia, although ArtScience Museum’s minimalism exhibition counterpart solely focuses on Minimalism in Asia.

I was quite interested in Lee’s work – godret stones “are traditionally used in Korea as weights to hold rope in place while tying knots or weaving mats”. I really like this idea of re-exploring traditional domestic objects in art.

Robert Irwin’s Untitled looks quite different / better in real life, because it’s made of one central disc that forms overlapping lights / shadows when lit. It has a very nice three-dimensional effect compared to how it appears as a flat surface when captured in a photograph.

This particular room with three very distinctive artworks is yet another example of the overcrowded feeling I got in this exhibition. You don’t get enough space to view these large works from different distances and angles – same goes for Peter Kennedy’s Neon Light Installations (cover picture above) which you could only capture in its entirety from the side of the room.

I so enjoyed being in Olafur Eliasson’s Room for one colour! It’s kind of weird at first, because you see the room in yellow – and then suddenly see the people around you in only grey tones! Photos don’t do it justice, it’s really something to experience for yourself. My eyes felt a little uncomfortable after being inside for a short while, but it’s definitely a very novel experience!

I have to say, Liu Jianhua’s Blank Paper really did look like paper with its slightly crinkled look to it, so it’s amazing to find out it’s actually made of porcelain!

Felix Gonzalez-Torres’s works always feel so deliberately intentional or full of meaning despite his use of seemingly unassuming objects, but I also find it very interesting how his works are able to capture so much attention from the viewer too.

I love how in-your-face Ai Weiwei’s Ton of tea is about, well, Pu’er tea or about Chinese tea in general. It’s a big block of dried tea leaves, and you can smell a faint waft of the tea leaves when you step closer to it.

Haegue Yang’s Sol LeWitt Upside Down series, two out of three sets captured here, hangs at the background of this picture. It’s essentially venetian blinds placed against an ultramarine blue wall, with reference to Yves Klein’s blue trademark. I’m not into it though… It looks too close to a room setting more than an installation. But I looked up other versions of Haegue Yang’s Sol LeWitt Upside Down and her large-scale installations look very cool in comparison, so perhaps it’s just these renditions that don’t work for me.

I’ve seen Ai Weiwei’s Sunflower Seeds so many times in pictures, and it felt kind of familiar when viewing it in person. It’s my favourite artwork in this exhibition (which might sound so typical, but whatever!). Each of the seeds are made in Jingdezhen, Jiangxi province, China, which is renowned for its production of porcelain and ceramics.

To see more porcelain works in Singapore, Asian Civilisations Museum has a Ceramics Gallery featuring largely Chinese ceramics, that I also really like!

Tatsuo Miyajima’s work always make use of ticking numbers, as an allusion to the cycle of life and rebirth. The numbers on Mega Death (captured as bright dots in this photo) continuously count down from nine to one. When it gets to zero, the blue lights go off and the installation becomes completely dark, before it turns back on and begins its cycle again.

I actually found it all – the blue colour and the countdown – quite eerie, which I suppose makes its point as it’s a statement about the mass destruction and violence of the 20th century.

Playing around with Anish Kapoor’s Non-Object (Door)! Its concave surface causes that warped effect as seen here.

I felt that the good side to this Minimalism exhibition was being able to view many works by great contemporary artists, but problems came up in its overcrowded space and in the theme itself. Most of the exhibition was dedicated to showing how Minimalism is still seen in art today, or in the closer contemporary era, but I don’t think this idea came across convincingly.

I find the works by living artists in the latter part of the exhibition too distinctive to be compiled under this broad idea of Minimalism. While the wall texts link each artwork to a certain concept found in original Minimalist works, I felt that the overall curation lost an established idea of what Minimalism is, or in showing why these works could be considered Minimalist in some way(s). I enjoyed viewing these works individually, but their relation to a curated theme of Minimalism just didn’t come across well to me.

I was finding it so difficult to express my thoughts on this exhibition clearly in this post, and then I got the idea to include a rating system! I think it’ll be so fun to include it in all my other exhibition reviews too!

For this exhibition, I’m going to give it 3 out of 5 stars – good artworks overall, but a lack of a curatorial direction makes the exhibition experience not very enjoyable. Share your opinions on this exhibition – leave your rating below!

3 / 5 stars for Minimalism: Space. Light. Object. at National Gallery Singapore

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2018 has been my full year back in Singapore since moving back, and at first, I thought there was less happenings in art here. After a while, things have picked up, but there have been many exhibitions and events that I didn’t choose to post in detail on this blog – lack of time is always a major reason for my lack of updates! So, I thought it would be nice to look back at all of the art exhibitions and events I went to this year!

Asian Civilisations Museum – Permanent Galleries

I started off 2018 with a visit to ACM to see their permanent galleries. I really loved seeing Tang Shipwreck with all of those painted bowls and those acorn-shaped game pieces (for gambling)!

ACM has just opened their new Christian and Islamic art galleries this month, so that’s something I’m definitely going to check out in 2019.

ArtScience Museum – Treasures of the Natural World

I went to see both ‘Treasures of the Natural World’ and ‘Art from the Streets’ at ArtScience Museum on the same day (double exhibition tickets are so worth it!). ArtScience Museum continues to be my favourite museum in Singapore as they have the best exhibitions.

I was surprised to find out that I really enjoyed seeing exhibits of preserved stuffed animals that look so life-like! All of the exhibits were on loan from Natural History Museum in London, which of course, I’m now planning to visit when I get myself to London!

National Museum of Singapore – The More We Get Together: Singapore’s Playgrounds 1930 – 2030

Peranakan Museum – Amek Gambar: Peranakans and Photography

There was then ‘The More We Get Together: Singapore’s Playgrounds 1930 – 2030’ at National Museum of Singapore, a simple exhibition talking about styles and models of playgrounds in Singapore. Basically, Singapore wins at urban planning, I have to say!

I also revisited Peranakan Museum for the first time in probably 10 years to see ‘Amek Gambar: Peranakans and Photography’. Sticking to the museum’s specialised theme of Peranakan culture, the Amek Gambar – meaning to take pictures – exhibition shows a range of black and white photographs of Peranakans and old cameras. The exhibition is on till February 3rd, 2019.

National Gallery Singapore – Rirkrit Tiravanija

I always visit National Gallery Singapore for exhibitions or events or just to bum at their Gallery & Co cafe. My first visit of the year was to see the new site-specific commissioned work of Rirkrit Tiravanija at NGS’ rooftop. It’s a large-scale bamboo structure with a pathway that you can walk through from one end to the other, and there’s also a Japanese teahouse in the centre, though it was too hot that day for me to join in in the tea ceremony events they were holding at the time.

Singapore Philatelic Museum – The Little Prince: Behind the Story

I like to visit Singapore Philatelic Museum (or the “Stamp Museum”) every once in a while to see their exhibitions that somehow always manage to incorporate stamps! It was nice to re-see Arnaud Nazare-Aga’s Little Prince sculptures at the ‘The Little Prince: Behind the Story’ exhibition. I had first seen them in Hong Kong in 2015 during the Christmas and New Year season – see the post here!

National Gallery Singapore – Children’s Festival

It’s always so fun at Children’s Festival at National Gallery Singapore seeing everyone, kids and adults, having fun playing with the artworks! The first one pictured is all kitchen sponges and for the second artwork, you could throw those triangle-shaped pieces and they would stick on the patterned wall.

I’m also very proud to say that I managed to speed-walk across Justiniani’s bridge in one piece this time round, HAHAHA! For last year’s edition, I was so scared of the never-ending depths of the illusionistic effect of the bridge that I actually paused while walking across it. I’m still kinda terrified of this kind of things, but clearly it’s only me, since all of the other kids were happily examining the details in the bridge.

National Library Singapore (Central) – Selling Dreams: Early Advertising in Singapore

‘Selling Dreams: Early Advertising in Singapore’ is a very well-researched and very big exhibition on advertisements in Singapore from the 1830s to the 1960s. I really recommend reading all of the details in the didactics for the exhibits, as they are all so interesting! This was probably the longest time I spent at an exhibition though, about 2 hours? The exhibition is on till 24th February 2019.

National Gallery Singapore – (Re)collect

I shared a mini review of ‘(Re)collect’ at National Gallery Singapore on my Instastories, now saved in my highlights, to try out a new format of sharing about exhibitions! That was really fun, but I also wanted to share Lee Lim’s composite photographs on a bigger screen, so that it would be clearer to see. His photographs appear like Chinese ink paintings, especially with their Chinese inscriptions and his seal on the sides of the paintings. It’s fascinating to see how photographs can also look like paintings in a way.

The Cathay – Whatshisname x Mighty Jaxx

The first time I saw these dogs, I was walking towards The Cathay from YMCA. From afar, I thought could this possibly be Jeff Koons’ Balloon Dog I’m about to see?? Well, turns out these weren’t Koons’ sculptures, but Whatshisname’s pooping dogs are humorous in their own way, yes? A total of 4 dogs were commissioned for The Cathay, and they are still on show!

Singapore Night Festival 2018

For this year’s Singapore Night Festival, I was excited to see FierS à Cheval by Compagnie des Quidams after seeing photos of their performance at the opening of Tai Kwun in Hong Kong (which I must visit!). Horses are my favourite animals, and the performers really captured the elegant movements of horses. Funnily enough, this performance was made for the Year of the Horse in 2014, but it’s been so popular that the company has continued to perform this show until now!

I also went to see the dress exhibits from World of WearableArt (WOW), which holds an annual award competition for fashion designers from all over the world to present their avant-garde designs. These two dresses were my favourite!

STPI – Handmade Readymades

These two prints by Lichtenstein were shown at STPI’s exhibition ‘Handmade Readymades’. The exhibition featured the prints of four 20th century American artists, Jasper Johns, Robert Rauschenberg, James Rosenquist and Roy Lichtenstein, but I only took a liking to Lichtenstein’s prints. The first time I visited STPI in 2015, I think, I also remember seeing and liking Lichtenstein’s prints. That aside, STPI always has top-notch exhibitions so I always like to visit. I’m looking forward to their Cheong Soo Pieng exhibition opening in January 2019!

Gardens by the Bay – Mid-autumn Celebrations

Gardens by the Bay had such a lovely display for the Mid-Autumn celebrations! The giant lanterns also gave me Story of Yanxi Palace vibes, which was everyone’s favourite drama of the year, right?? YASSS.

National Museum of Singapore – In an Instant: Polaroid at the Intersection of Art and Technology

‘In an Instant: Polaroid at the Intersection of Art and Technology’, a travelling exhibition that has made its stop at the National Museum of Singapore, was not what I was expecting at all!

The beginning of the exhibition charts out the history of the Polaroid, starting from its invention by Edwin Land, who was inspired by his daughter when she questioned on a holiday trip, why can’t we have our photographs printed out instantaneously, instead of going through the long process of developing film.

Most of the exhibition features artistic Polaroids following a few themes, but my favourites are these more contemporary shots captured on Polaroids. I didn’t realise that so many prominent artists and photographers had worked with Polaroid! The exhibition is on till 31st March 2019.

Affordable Art Fair Singapore 2018

I went for a quick walk through Affordable Art Fair in November, and all of my photos can be seen in my Instastories highlights! It was my first time attending it in Singapore and I found it much livelier that my experience at AAF in Hong Kong in 2015.

I found the paintings of those curly haired little, hmm, midgets by a Japanese artist (in the first two photos) really cute! There were also many South Korean galleries at the fair, and I really liked the style of these works by Korean artists (latter two photos).

ArtScience Museum – Future World (Revamped!)

This year was really the year of teamLab for me, seeing their works across ArtScience Museum, National Gallery Singapore and Marina Bay Sands. See my posts on teamLab – Part I and Part II!

I’d shared about ‘Future World’ at ArtScience Museum before it closed for revamp, and I was debating if I should visit the revamped exhibition… Guess what, I did! I bought a bundle ticket to see the new Future World and the Minimalism exhibition across ArtScience Museum and National Gallery Singapore, and I’m glad I did because I like the revamped exhibition even more! Also, I’m definitely going to do up posts on the ‘Minimalism: Space. Light. Object.’ exhibition(s) because I have so much opinions on it, so I would leave my comments for those upcoming posts.

Christmas!

We have reached Christmastime, the best time of the year!! This year’s theme of Disney Magical Moments for the Orchard Road Christmas decorations were so fun! I grew up on Disney, so this is definitely a special year!

Ion Art Gallery – Virtually Versailles

My last exhibition of the year was ‘Virtually Versailles’ at the Ion Art Gallery and Ion Sky, all the way up on the 55th floor of Ion Orchard. I already know that Versailles is on my travel wishlist, and this exhibition gave a taste of the Palace of Versailles’s architecture, decor and extensive art collection.

It’s mostly made up of a lot of videos, so I didn’t really capture many good photos of it. There are many interactive elements though, like biking around different parts of the palace (actual biking, virtual tour of palace), and having your face superimposed on royal portraits, which was really fun!! This free exhibition is on till 6th January 2019.

The last photo was a candid shot of me taken by my sister looking at the collection in the Palace, and it just seems like such a nice reminder to keep looking at all the art around us! Here’s to 2019!

The post Art of 2018 appeared first on Wording Art.

I currently find myself in a spot of free time that inadvertently came along unplanned, which leaves me feeling a little unsettled since I always want to know what direction I’m moving in. But, for now, I am enjoying this break, and I’m trying to make time to pursue my interests, and it feels nice to have this pause to think back on the past year.

But to go back to what ‘Prospect and Refuge’ is in the first place, it is a theory coined by the geographer and academic Jay Appleton in 1975 relating to architecture and how we perceive our spaces by looking to fulfil two desires of prospect (opportunity) and refuge (safety). A simple idea is like how I like to hang out in cosy cafe corners yet have a view of the outdoors while I blog, right about now!

Under the giant awning at South Beach.

Thinking further on it, I just thought it was a perfect way to sum up the feeling of having big dreams and wanting to keep moving forward but also wanting to stay comfortable. Last June, it felt really difficult to move away from Hong Kong because it was letting go of an amazing experience that I didn’t feel ready to move on from, though it is necessary for practicalities to come first (sometimes).

Though, of course, moving back to Singapore isn’t a bad thing at all! I spent a lot of time at first wandering around this sparkling, beautiful city.

Made my first stop of my exploring at the Apple Store which opened last May in Knightsbridge Mall (what a fancy name). I’m so grateful for it now because I sent my very precious Macbook there for repair when it broke down last month and the service was so good!! Just sharing my appreciation. :D

I also caught art exhibitions – like the massive Yayoi Kusama exhibition at National Gallery Singapore that I completely forgot to share on any platform whatsoever – that I plan to share here later as a way of catching up with everything over the last year. Art museums here are mostly housed in old, grand, colonial buildings with a touch of contemporary glass and chrome elements which Singapore is so good at at adding to old buildings.

When the polka dot phenomenon took over Singapore last summer.

A good mix of old and new in the National Museum of Singapore.

But geez, that transition between graduation and full-on ‘adulting’ is a tricky one! Despite all the well-meaning ‘advice’ you hear, you don’t really know what to expect until you start the job application grind, and thankfully, land your first interview and then the job (!!) after months of seemingly unending waiting time. But that’s if you decide to enter the workforce – making the decision to continue in postgraduate studies or to go out to work was even tricker to me.

Oh, the dilemma.

Revisited this gem The Thinker by Rodin at OUE Bayfront except it’s now politely barricaded. And I’ve got a much better-working phone camera with me now compared to the last time I captured this in Sculptures on the Street which I worked on 3 years ago now and I’m still so proud of!

Also saw this crazy hyperrealistic figure of a security guard by Marc Sijan at OUE Bayfront. Almost thought ‘he’ was real but it’s on a podium so it’s a piece of art, see!

I always took my (tertiary) education seriously, so I wouldn’t want to pursue postgraduate studies only for the purpose of ‘escaping reality’, but really to expand my knowledge and pursue my academic interest in a specific field (art history, of course!). That’s all and well, but then also comes the deciding factors of where I wanted to enter, funding matters, and the unavoidable point of your age matched to your amount of work experience (hi, real job, what internship?).

Another new photo of an old favourite: Sky Mirror by Anish Kapoor outside Artscience Museum.

In my final year of undergraduate studies, I asked a few professors about choosing between work and studies and I realised that there wasn’t one answer that could solve it all for me. After choosing to work first, when talking to colleagues about postgraduate studies, everyone also has varying ideas about how many years you should work first before studying further.

So, to anyone who happens to be stuck in this dilemma, weighing the pros and cons, considering the weight of what you might be losing out on or gaining in return, all I can say is: funnily enough, the quite unpleasant application process would help clear up whether or not you are ready for it, so plan ahead and give it a shot if you really want to do it!

Open call-out to SMU: please add a didactic next to this! It’s Bright Idea by Sir Michael Craig-Martin, isn’t it? I think it fits this university campus setting much better than the Peninsula Hotel in Hong Kong, doesn’t it?

With that said, going out to work was great in propelling me out of my ‘refuge’ zone and in seeing what my prospects are. Identifying those prospects also gave me goals to look toward, one such as the ideal yet probably not very reachable ‘work-life balance’ (hahaha, in Singapore/Hong Kong, the ultimate dream).

Stopped for a photo break while cycling from East Coast Park to the Marina Bay area on a sweltering hot day last June.

Half-joking aside, work gave me a literal case of expectations vs. reality. For many of us art history students, the career goal is always to become a curator. Same goes for me! We might get student curating projects, and some people might remind students that to become an curator at the point of actually curating exhibitions takes a long time.

Side note: it’s funny and ridiculous how everything is ‘curated’ these days. Let me give an example: Reader, you are currently on Wording Art, a blog of curated art posts! Okay, but enough of that – curating is way far more than putting objects together in an exhibition and writing about it. It was only after beginning work in the field that I realised how wide the job of being a curator really is, which I think is great for managing my expectations of the job and seeing how I would like to keep moving forward in work.

Loving these boards for a store that is coming soon at Wisma Atria… What is it?? A fantastically themed cafe or retail concept? I’m just dying to know!

I suppose I’m writing this to ground myself somehow in my current stage of in-between-ness. The very wise words by Lewis Carroll couldn’t be more fitting for what I’m thinking about right now. And right now, I’m also really glad to have this little digital space of my own here that in one way, I see as a record of all the art things I’d seen and where I was at, and in the same way, this post serves the same purpose too.

Looking down from the 8th floor of the Central Public Library, where I discovered their fantastic reference section of art history books!

With all that said, here’s to new opportunities and good things ahead! And to more posts overcrowded with pretty pictures, as per usual, hahaha!

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