| Cover picture: Hiromi Tango, Dr Emma Burrows and Dr Tilman Dingler, Wheel, 2021, at ArtScience Museum’s MENTAL: Colours of Wellbeing |

Asian Civilisations Museum – Russel Wong in Kyoto

Russel Wong in Kyoto was first shown alongside Life in Edo in 2021, and then it was extended into 2022! Additional photographs by Wong were added, keeping the focus on an inside look of geikos in Kyoto, but I also really liked the atmosphere of showing Kyoto in flowering season.

National Gallery Singapore – Chua Mia Tee: Directing the Real

I was able to visit this exhibition twice because it went on for about a year — early on in January and one more time on its last day! This is a solo exhibition dedicated to Singaporean artist Chua Mia Tee, and I enjoyed seeing his views of Singapore back in the old days…

Victoria Theatre and Concert Hall (shown on right of painting) is missing its crown at the top of its dome! I found this missing detail so funny, because I only learned a while back too about the building’s crown! Also my favourite work of architecture in Singapore.

Singapore Chinese Cultural Centre – Life is Sweet: Ang Ku Kueh Girl Exhibition

Found this a sweet exhibition and I loved these uplifting messages along with these cute Ang Ku Kueh Girl illustrations!

Han Sai Por’s Microorganisms Landscape

The use of the Jendela art space at the Esplanade for Han Sai Por’s mixed-media Microorganisms Landscape was pretty good! I also liked seeing a different side to Han’s work, who is well-known for her sculptures which are easily found across Singapore.

Hong Kong: Through the Looking Glass miniature exhibition《細看香港》

Take me back to Hong Kong!!! Here’s to me doing that in 2023!!! In the meantime, I loved seeing these miniatures of everyday Hong Kong scenes — and there were so many other people viewing this exhibition too!

200 TRUNKS, 200 VISIONARIES: THE EXHIBITION

In celebration of the 200th anniversary of Louis Vuitton’s birth, LV launched this exhibition that invited 200 artists, creatives, and some celebrities to reinterpret the classic LV trunk. Singapore was the second stop for this travelling exhibition, which is really cool! Loved the ideas and creativity that was abounding here.

National Museum of Singapore – OFF / ON: Everyday Technology that Changed our Lives, 1970s – 2000s

More throwbacks to an older Singapore, I really liked these room set-ups like the barber salon and the photographer’s studio!

i Light Singapore

i Light finally returned after its last showing in 2019! It was really nice walking around the Marina Bay area again at night to see all the lights.

My favourite from i Light this year was Firefly Field! They are electronically controlled but appear to sway naturally in the wind.

Botanic Gardens Gallop Extension

I finally visited the new(-ish) Gallop Extension at Botanic Gardens, and I definitely want to visit again! There are two black and white houses named Inverturret and Atbara, and you can explore their interiors, learn more about the colonial era architecture, and see exhibitions and highlights from the Singapore Botanic Gardens collection.

Asian Civilisations Museum – Batik Kita: Dressing in Port Cities

Popped by ACM again to see the exhibition Batik Kita, that featured batik in textiles in both its traditional and contemporary forms.

Malay Heritage Centre – Cerita

I visited the Malay Heritage Centre before it closed for renovation, and its last exhibition was Cerita (Stories). The highlight piece for me was this stunning painting by Raden Saleh!

Lee Kong Chian Natural History Museum

Finally visited the Lee Kong Chian Natural History Museum for the first time ever — after so long! It’s situated within the campus of National University of Singapore, and the museum exhibits are set across two stories. I thought it was really well done; it’s cool to see Singapore’s very own dinosaur exhibits, and I was also particularly taken by the molluscs section!

National Gallery Singapore – Wu Guanzhong: Travelling with the Master

I still think that the best Wu Guanzhong exhibition at National Gallery Singapore was Wu Guanzhong: Beauty Beyond Form in 2016. The latest showing Wu Guanzhong: Travelling with the Master was a little cobbled together, but it was still nice to see some really great works by Wu.

National Gallery Singapore – Nothing is Forever: Rethinking Sculpture in Singapore

Running from 29 July 2022 to 5 February 2023

Haha, I couldn’t help myself! It doesn’t matter when one doesn’t ‘get’ the art, just pose with it and have fun…!

House of Dreams

I loved this display of Barbie dolls at House of Dreams hosted at the Ion Orchard art gallery space, it was so pink, bright and fabulous! Loved the vintage looks to the contemporary ones, with my favourites below!

Asian Civilisations Museum – ACM and Anima Mundi: Chinese Christian art from the Vatican Museums 

Currently showing

This exhibition of loans from the Anima Mundi (Soul of the World), Vatican Museums at ACM featuring Chinese Christian art seems to be getting little traction, but it’s a really nice display of works incorporated within ACM’s Christian art gallery! The works of Chinese Christian art makes for both a strange and interesting combination that I’ve never really encountered before.

ArtScience Museum – MENTAL: Colours of Wellbeing 

Running from 3 September 2022 – 26 February 2023

I thought that MENTAL was both fun and a little quirky! The exhibition’s take on mental health and wellbeing was not exactly what I was expecting (I thought I should come out of it feeling nice and cosy or something like that??), but there was a good variety of responses and artworks that related to the theme.

Even in Fear by Zhou definitely made me feel a little more anxious than I should have! The white balloon in the bright pink container keeps expanding and filling up the space until it looks like it’s going to explode — and then it deflates, and the cycle repeats again.

I thought this work Hello Human, Hello Machine was really fun because you could pick up the payphone and it connects you to someone and start a conversation! But, spoiler alert, I am convinced that the person on the line is pre-recorded……

In Mirror Ritual, you look into the mirror and the AI machine presents you with a poem based on the emotions on your face. I gave it my best neutral expression and this is what I got, which cracked me up!!

I thought this was the perfect note to end this post with. Thank you 2022, you’ve been a ride — and of course, one of my ultimate highlights of the year was visiting London, and I should do another highlight post of that! I hope the new year 2023 treats you well, and that you be kind on yourself too! Let’s see what it will bring…

The post Art of 2022 appeared first on Wording Art.

National Gallery Singapore

The art of 2021 began with National Gallery Singapore’s Light to Night festival, which is always pretty fun with their art installations! Just went to see some at 2022’s edition too.

Something New Must Turn Up: Six Singaporean Artists After 1965

I’ve seen Eng Tow’s Grains of Thought twice at Asian Civilisations Museum and now at its spot at Jewel Changi, and I found it fun to see these maquettes / models for the actual artwork in the exhibition Eng Tow – the sixth sense (part of Something New Must Turn Up), which were a lot smaller!

My favourite exhibition in Something New Must Turn Up was Jaafar Latiff: In the Time of Textile — really liked seeing these colourful, Futurist-looking, abstract pieces.

Antony Gormley – on view 6 August 2021 – 30 October 2022

My first encounter with Antony Gormley’s human figures was back in 2016, when ‘Event Horizon’ Hong Kong placed several of these standing men at the top of buildings and in the middle of the streets in Central — and I had fun posing with one of them! And this one has now fallen face-flat on the Gallery’s beautiful floors…

Kind of weird / funny to see this steel mass in the middle of such colonial architecture! A bit out of place or an interesting contrast?

Horizon Field Singapore on the rooftop of National Gallery Singapore looks fantastic (and different from so many angles), and it’s great to take photos with!

Nam June Paik: The Future is Now – 10 December 2021 – 27 March 2022

Nam June Paik is such a big name and an important artist, so I definitely had to check out this exhibition! It’s a travelling exhibition, and it’s making its last stop at National Gallery Singapore. I can’t say that I’m a huge fan of his work, but it’s a good exhibition to see nonetheless.

Also be sure not to miss these three works located in the basement of the Gallery — Sistine Chapel is probably the most seminal work of Paik’s.

Siapa Nama Kamu? Art in Singapore since the 19th Century

I’ve wandered through Siapa Nama Kamu? [What’s Your Name?] quite a number of times, and it’s always nice to see some refreshed works in this permanent exhibition. I just saw Wu Peng Seng’s photographs, and I really liked the ones with the ballerina: The Long Shadow and First Step.

Between Declarations and Dreams: Art of Southeast Asia since the 19th Century

Siapa Nama Kamu? is much smaller than Between Declarations and Dreams (3 galleries in the former and 14 galleries in the latter), and I only realised last year that I haven’t actually seen the whole of Between Declarations and Dreams properly before. So I took the afternoon to track down all the galleries and had a look at everything.

My favourites are still the works of Raden Saleh — Boschbrand is stunning, but I wish there was more explanation of the work. While we see these animals driven to the edge of the cliff due to a forest fire, I’m inclined to think that there is a deeper, or symbolic meaning to this image. In any case, here’s to a roaring Year of the Tiger…!

Gorgeous pieces giving me Turner-esque vibes.

National Museum of Singapore

Modern Colony: 1925–1935

I’m not sure how or why, but I can’t believe I’ve not seen these galleries in National Museum of Singapore on the second floor?! They trace the modern history of Singapore, and I really liked this one on the ‘Modern Colony’. It’s the Twenties vibes for me!

PSM50: Celebrating the Golden Jubilee of Singapore’s Preservation Journey

I stumbled across this exhibition presented by the Preservation of Sites and Monuments division of the National Heritage Board (to mark 50 years of preservation in Singapore), and there were these small artefacts and models of the 73 National Monuments of Singapore!

This cube was exhibited on a turning display, and the top has an image of a war memorial. Unfortunately, I forgot to record what this piece is about and what monument it’s displaying, but I took these photos of it as I was taken by what it says of the ‘Folly of War’.

Singapore History Gallery

This amazing portrait by John Singer Sargent is in the basement gallery of the National Museum of Singapore — the Singapore History Gallery — and I’m sure I’d seen it before years ago but didn’t know of Sargent at the time. I was part of a British Art class in the last semester, and my professor mentioned that there was a Sargent in the National Museum, so I had to track it down!! It’s huge, lush and the paintwork is gorgeous.

The Sargent painting is situated between two other portraits painted by John Edgar Williams (left) and William Orpen (right), but those are just not as impressive.

Kranji War Cemetery

As part of that aforementioned British Art class, we did a field trip to the Kranji War Cemetery, also known as the Kranji War Memorial. It’s part of the Commonwealth War Graves Commission (CWGC) that maintains cemeteries across the world, remembering the “men and women of the Commonwealth Forces who died in the First and Second World Wars”.

It was my first time at the Kranji War Cemetery, and it might seem a bit surprising that it is so beautifully maintained. I posted about this on my IG earlier, and my mixed feelings still remain the same. Seeing these individuals’ names and their families’ messages for them is both sad and humbling in a way.

Out and About

A cute display at Funan Mall of Lego displays of Singaporean / hawker food that I spotted back in May!

Another random, gorgeous Lego display of the Fullerton Hotel located at One Fullerton opposite that I saw in November!

I always like to glimpse at the window displays of fashion houses as sometimes, there are some really well-done and interesting displays! Hermès at Liat Towers frequently has these fun, quirky or just aesthetic window displays.

Burberry’s Olympia bag installation

This was just fun and random! The Burberry’s Olympia bag installation made its third appearance in Singapore’s Ion Orchard after floating down London’s River Thames (stunning!) and appearing in Dubai too.

KAWS:HOLIDAY

KAWS is just so popular now, and no matter what you think of the art or of the character, I think it’s good time to embrace it! Was quite surprised to see the crowds lining up to see KAWS:HOLIDAY at the Floating Platform, and I still like to keep my social distancing, so I zoomed in on the KAWS balloon (?) installation from afar on the Helix Bridge!

A good reminder to look up — some of Singapore’s architecture have these stunning ceilings that you might not notice on the daily, but it’s nice to take a moment to look up every once in a while.

Marina Bay Sands Hotel

Speaking of ceilings, the Marina Bay Sands Hotel has this absolutely stunning Gormley installation scattered across the ceiling right at the front entrance of Tower 1. The picture does not do it justice! Fun fact: the work is suspended across levels 5 and 12 of the atrium of Hotel Tower 1.

Seeing Dale Chihuly‘s The Setting Sun and The Moon in the Gardens by the Bay from high up on Marina Bay Sands Hotel’s rooftop!

Panoramic view from the window of the MBS Hotel room we were staying in — so, so incredible.

Breakfast in style — this staycation at the Marina Bay Sands Hotel was The Highlight of 2021, and I felt very lucky and blessed to be a plus one to my sister of City Girl, City Stories who was invited to view the exhibition Orchestral Manoeuvres at ArtScience Museum, which was also amazing!

Basically the Marina Bay Sands Hotel is a work of art, and they also have a lot of artworks displayed across its premises, which I’ll love to post about at a later time! Till then, best wishes for 2022 / the Year of the Tiger and let’s go forth and embrace where life takes us!

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I like to say that in my ‘previous life’, i.e. before I discovered art history, I used to play music, picking up varying instruments at different times in life with the piano, saxophone (school band days) and guitar. I don’t think I ever did get accustomed to the discipline that regular musical practice requires, or learned how to play music ‘for fun’ or for myself — but I would say that music and songs are still very present in my everyday!

So I was also pretty heartened to hear during the exhibition tour preview of the curator Adrian George’s own personal attachment to the themes of Orchestral Manoeuvres revolving around music and sound. This exhibition is curated by the ArtScience Museum to mark its 10th year anniversary (already!), and I loved hearing the stories behind each work and seeing the care and effort that was taken in putting this exhibition together.

I was a little hesitant to see an entire exhibition on sound, particularly in contemporary art — because I thought it might not be for me, too avant-garde perhaps?? — but this was really excellent! It’s a quiet, as in understated, exploration of sound and music in art without being overbearing or overly pretentious. It actually feels like a calming exhibition interspersed with works that produce sounds or music (it’s a sound exhibition, after all!), and other artworks that describe the music instead.

I like how the didactic for this work calls Rage Fluids a “self-portrait in sculpture and sound”. The noise that plays in this installation makes the foil in these curved panels vibrate, and it’s meant to be a reference to the artist Perry’s childhood and car culture.

This is a series of photographs showing the effects of sound, set at different frequencies (that determine pitch), and how they create different vibrations or patterns on the surface of milk! I’ve never been good at physics and so don’t really understand this, but apparently low-frequency sounds, i.e. low-pitch sounds, cause the most impact on milk and create the most elaborate patterns!

These two Resonance in Frames works are in fact moving artworks, because the mechanisms (probably the microcontrollers) periodically tap against the copper pipes to create sound. It’s like the machinery is making music on its own!

This installation is a series of six works that have been so well-placed together. The top two hanging in the air Forest-Sounds – Bird NO.3 and Insects Chirping – Chinese Medicine Box move up and down, while the tree branches of Bird Song flap up and down! There’s also chirping sounds emanating from this corner, that seems to sound more like bird chirping (preferred!) than insect chirping.

I keep seeing the promo posters for the exhibition showing Chair of Concentration and declaring this as “Not your Usual Headphones”, haha! The objects in this definitely give it a traditional Chinese feel, but counters usual expectations of what you’ll see.

I really liked this one! Kim writes a sort of musical score for the sounds of different activities, expressing it in terms of volume (meaning loudness) and frequency (meaning rate of occurrence). I keep feeling like I have to clarify my word usage, in case I make a pun or when words could be understood differently in terms of sound!

For a bit of background on musical notation, specifically dynamics (i.e. loudness in music), p stands for piano meaning ‘quiet’, pp stands for pianissimo meaning ‘very quiet’, f stands for forte meaning loud, and ff stands for fortissimo meaning very loud. Kim uses these dynamics in her works to illustrate her sounds — and another interesting note (excuse the pun) is that Kim was born deaf, and she combines such musical notations with American Sign Language in these works.

Don’t these three works just so well express the tune of COVID-19 lockdowns……

I like how Khan takes inspiration from Bach, Beethoven and Mozart, and re-interprets their musical scores by overlapping the pages on top of each other to create these blotted prints.

I first saw Ang’s works in the restaged (is this a pun??) exhibition of Music For Everyone: Variations on a Theme last year at National Museum of Singapore, that was first shown at the Venice Biennale in 2019. I like how Ang’s patterned versions of Western-style five-line staves in musical notation are included here in Orchestral Manoeuvres too!

I was quite fascinated by this, as I mostly know Luigi Russolo for his Futurist paintings, but not for his music. I’ve also been fascinated with the Futurists since learning about them, because I find them so bold and nuts enough to hold on to their ambitions to envision the future of a modern city (when the movement formed in 1909), though keeping things purely on an artistic level and not actually acting on their radical ideals.

Anyway, most of Russolo’s musical compositions were destroyed during the Second World War, but music archeologists (this is a great term) have rediscovered the first seven bars of Il risveglio di una città (The Awakening of a City), as seen here!

Below the Russolo, there’s a display case showcasing some of John Cage’s compositions or musical instructions. And of course, there needs to be the inclusion of Cage’s seminal 4’33” of silence… and I love how there are ‘notes’ for this composition (such a pun).

This is a really interesting gathering of early scores from centuries past, and from cultures independent of the Western musical canon!

So I learned that a pianola is a self-playing piano, and this pianola can be turned on by pressing a giant red button at the back of it! 4’33” (Prepared Pianola for Roger Bannister) also references Cage’s 4’33”, but the duration here is in fact a reference to the British athletics sportsman Roger Bannister, who set a British record at the 1952 Olympics in Helsinki for the 1500m Men’s Final. There are a few accompanying posters (seen above in the cover picture) as part of this work, but I think the pianola — especially when it starts playing really loudly — steals the show!

I really like these pieces by Yoko Ono, which are so whimsical, introspective and playful at the same time.

I really like this one of Gillian Wearing dancing in a South London shopping mall — but there’s no music playing. Instead, she’s dancing to songs playing in her head. That whole music playing in my memory totally happens with me too, and then I’ll have to actually play the actual song! Also, I like how this video piece was presented on an old-school small SONY TV.

This is probably the most popular or significant work in the entire exhibition, which I think resonated with many people too. I just took a photo of the forty speakers, but ultimately the work is really about the forty-track recording of the choir singing A reworking of “Spem in Alium”. Each speaker plays a recording of each of the choir members singing their part, and you can choose to listen to each individually, or just take it all in right in the centre. I’ve heard that many people felt moved by the experience, but for me, I would say that it felt pretty epic, like I was right in the middle of a choir, listening to their singing amplified.

This interactive space was pretty fun! You can step on a pedal, and that will make these various ‘installations’ of household objects to start moving around in a circle, and the objects jangle and clink against each other to make music!

This video was taken in Stuttgart, Germany, where the artist Nevin Aladağ spent her childhood. It’s a compilation of actual musical instruments being placed or moved around different parts of the city, and how they can be ‘played by the city’!

I thought this shot of a balloon attached to a cornet (I think??) just screamed aesthetic!

This final work of the exhibition pays tribute to Drei Klavierstücke (“Three Piano Pieces”), Op. 11, that was written by the Austrian composer Arnold Schoenberg in 1909, but it’s also a tribute to the roles that cats play in our lives… It’s a compilation of various clips taken from YouTube videos featuring cats stepping on pianos, but all the notes culminate to perform the Op 11 piece! It’s both fun and random, and I also appreciate the love for cat videos (also so present in my life)!!

I also love the giant reproduction of the score on the wall next to the video screen, which are in fact the first few bars of Arnold Schoenberg’s Op. 11.

I would highly recommend a visit to this exhibition, which is different from the usual fare, but also so creative and thoughtful at the same time! It’s still showing for the first two days of the new year until 2 January 2022. Find out more at their exhibition link here.

I’m so glad I caught this exhibition, and it’s amazing to think that ArtScience Museum has already been around for 10 years in Singapore! ArtScience Museum still remains one of my favourite places to go to in Singapore, and it’s exciting to see what they will present next!

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The exhibition is split into three main sections: The Flower Dome & Cloud Forest conservatories, the Outdoor Gardens and Gallery, and the free (!) public exhibits. I chose to skip the conservatories because I thought the price for that was too steep… There are varying admission rates for visiting the different sections, but I paid $16 to see the exhibits in the Outdoor Gardens and Gallery, and went to hunt down the public exhibits too!

Public Exhibits

I’m starting off this post with Blue and Purple Boat, simply because it took me so long to find the Victoria Lily Pond! I’m so glad I didn’t miss out on this one — the spiky blue and purple ‘baubles’ (?) look so great within this beautiful pond. I felt a great sense of accomplishment after finally finding it!

I’d never heard of ‘Walla Wallas’, and I was wondering what the title of this work was referring to… But it occured to me that these floating pieces looked a lot like onions! Turns out my visual analysis was on point, because I found out that they are made after the Walla Walla sweet onion, also the state vegetable of Washington in USA!

I think End of the Day Persian Chandelier might be my favourite exhibit, and I love how it matches the pattern of the SG50 Lattice so well. This is the day view of how it looks like, and the picture below was taken in the evening when the sun was beginning to set. So gorgeous at all times of the day.

There is one more glass sculpture Paintbrush Tower that’s located outside Gardens by the Bay, and it’s at the Fullerton Bay heritage area outside the Fullerton Bay Hotel. This was the only work of Chihuly’s that I viewed at night, and I like how it looks lit up at night too.

Outdoor Gardens

The Setting Sun was in fact the first work I saw at Gardens by the Bay, in The Meadow. This photo was aptly taken when the sun was beginning to set. I really like how this work looks like a fiery ball of energy with so many individual curly glass pieces in red, orange and yellow.

And then there is its quieter counterpart The Moon, located on the slope-y part of The Meadow.

I thought that the way Black & Green Striped Herons and Green Grass almost blends in with the natural scenery of Serene Garden here was very nicely done!

I remember discovering this small stream in the midst of the Japanese Zen garden-inspired space of Serene Garden early last year, and I just love it! Now it leads to Yellow Herons in the pond situated in front of a small waterfall.

I love the detail of Ethereal White Persians, and I also find it fascinating how there’s a black outline for each of the white flowers! Actually, it seems like my favourite of Chihuly’s is all those from the Persians series…

Appreciated the dramatic jutting out of Turquoise Reeds from the middle of this rock installation, especially as we are viewing it from below.

I’m not sure if I have visited the World of Plants section in Gardens by the Bay before, but it’s not my favourite area… Out of the four works shown here, I liked Pearl and Obsidian Fiori the most!

Gallery (next to SG50 Lattice)

I was surprised to find that the Gallery contained a small exhibition of its own featuring smaller-scale works by Chihuly, including sculptures and abstract mixed media pieces. The first exhibit in the Gallery was Macchia Forest, and I was trying to decide which piece(s) were my favourite and that I’d love to own in my ideal home…

I really liked these ikebana-inspired works on paper, showing another side to Chihuly. They look like they were made in a very free and relaxed manner, and it’s interesting to contrast them with the glass sculpture version (shown below).

The effect of this series of Glass on Glass paintings looks really nice in person, but it just doesn’t translate very well on my camera! It’s meant to look a little different every time you shift positions in viewing them, and I loved how the colours of each seemed to shift too.

Ended off my visit with a bang with this massive Radiant Yellow Icicle Chandelier! I just like how Chihuly’s glass is so ‘easy’ to look at, and I love all the varying shapes and colours. I’m giving this exhibition 4.5 stars! Share your opinion too by giving your rating below. :)

Dale Chihuly: Glass in Bloom runs until 3 October 2021, and you can find more info on the exhibition and the works at this dedicated site!

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| Cover picture: Cao Fei, 浮槎 Fú Chá, 2020 |

Singapore Flyer – Whimsical Reality

2020 started with a trip to the Singapore Flyer to see the exhibition ‘Whimsical Reality’ featuring watercolour works by Ah Guo Illustration 阿果绘本. I’ve been following Ah Guo’s work for quite a long time, and I love his childlike, light-hearted illustrations of various Singapore scenes!

National Gallery Singapore – Chua Soo Bin: Truths & Legends

Spent a day out visiting National Gallery Singapore and went to see the understated exhibition of Chua Soo Bin’s portrait photography. I especially liked these photos of Wu Guanzhong sketching in the streets of London, Bangkok’s floating markets and at Singapore’s Bird Park (this should be Jurong Bird Park surely!) Click here to also see my review of the exhibition ‘Wu Guanzhong: Beauty Beyond Form’ at National Gallery Singapore from 2016.

National Gallery Singapore – Light to Night Festival: Invisible Cities

The Light to Night festival was also happening in January, and as always, it delivered a fun lineup of light installations and art skin projections. I also found it hilarious that one of Twardzik-Ching Chor Leng’s Five Stones was propped up above the bus stop outside Victoria Theatre and Concert Hall!

I’m not sure why this was here, but this setup of LINE’s Brown in a Merlion costume at Funan mall was so cute!!

Singapore Chinese Cultural Centre – Huat Huat Land

A display of giant pineapples, mahjong tiles and murals on the rooftop of Singapore Chinese Cultural Centre for Chinese New Year! Huat Ah!

Singapore Chinese Cultural Centre – SINGAPO人

SINGAPO人 is a permanent exhibition at SCCC that looks to discover Chinese Singapore culture. I really enjoyed visiting this and playing with all the interactive sections. There’s this game of ‘Would You Rather’, for example have Coffee or Tea, Eat Out or Eat at Home (as seen above) and after making your choice, it shows the poll percentage for each option!

Peeking into a small hole in a display to see a camera staring back at me!

Had to capture this drip tile from the old Nanyang University’s Administrative Building — especially as I’m studying at Nanyang Technological University now!

CB Summer

And then we hit pause — circuit breaker began in early April, classes went online, and it took a lot of effort to continue to study / work from home.

Over these few months, I also started to tune into art online (here are some of my recommendations!). Although there were also sadly a slew of exhibition cancellations, like the i Light festival, the Picasso and Matisse exhibition at National Gallery Singapore and the ‘Angelica Kauffman’ exhibition in London’s Royal Academy of Arts…

I’m currently researching Kauffman’s self-portraits and so I’d made travel plans to visit London and to see this exhibition — all cancelled! Ah well, so I made do with buying the exhibition catalogue. Here’s an image of Kauffman’s Self-Portrait with Stylus from the catalogue (excuse the colouring!), which is my favourite of all of her self-portraits! It belongs in a private collection so I really hope to have a chance to see it in an exhibition in future…

Asian Civilisations Museum – Fashion and Textiles Gallery

Ventured back out to see exhibitions again in August, and it felt like a grand affair! Dressed up again to view the new Fashion and Textiles, as well as Jewellery, galleries at Asian Civilisations Museum. The galleries will have a rotating display, and the Fashion and Textiles gallery currently features Chinese dress from the Qing (imperial wear) and modern periods (cheongsams). I thought the Fashion and Textiles gallery was surprisingly small!

National Museum of Singapore – Music For Everyone: Variations on a Theme

This solo exhibition of Song-Ming Ang’s work was first presented in the Singapore Pavilion of 2019’s Venice Biennale and had a re-showing at National Museum of Singapore. The title Music for Everyone ‘references a series of concerts organised by the then Singapore’s Ministry of Culture from 1971 to 1985’, and the exhibition overall also looks at music education in Singapore, like all those recorder music classes (so not for me)…

I especially liked Ang’s Manifesto for Bad Music, as I got quite into twentieth-century art manifestoes in class last semester!

Singapore Art Museum – Time Passes

Since Singapore Art Museum is currently under renovation, their exhibition ‘Time Passes’ is currently held at National Gallery Singapore. I thought the highlight work was Ashley Yeo’s intricate work of paper, which she makes using 3D printing.

In the gallery next door, ‘An Exercise of Meaning in a Glitch Season’ is also showing at National Gallery Singapore. Both exhibitions are part of ‘Proposals for Novel Ways of Being’, a series of exhibitions and programmes made in response to COVID-19. Both exhibitions run until 21 February 2021.

Esplanade Tunnel – Combing for Ice and Jade

This is a solo exhibition of Kurt Tong’s work as part of the 7th Singapore International Photography Festival (SIPF). ‘Combing for Ice and Jade’ tells the life story of Tong’s nanny (or majie) who became a ‘Comb Sister’ — ‘a community of women in Southern China who took a vow of chastity’ and left their hometowns to work and be financially independent. I liked the quiet, understated way of showing her life through various photographs, but I especially liked the video at the beginning of exhibition in which Tong discusses this seven-year project.

‘Combing for Ice and Jade’ is ongoing till 10 Jan 2021.

National Gallery Singapore – Georgette Chen: At Home in the World

The long awaited Georgette Chen retrospective is here! I enjoyed visiting this exhibition, and I will post about it in more detail in a separate post. In the meantime, I wanted to highlight this photograph of Chen painting Lotus Symphony en plein air (outdoors) in her friend’s garden full of lotuses. It’s nice to see a glimpse of the process and the final result situated next to the other.

‘Georgette Chen: At Home in the World’ is running for a long time until 26 September 2021.

ArtScience Museum – Margins: drawing pictures of home 

‘Margins: drawing pictures of home’ is also included in SIPF this year, and it’s a small exhibition featuring works by 15 contemporary photographers centred around Singapore as home.

My sister reminded me that we first saw this work in Hong Kong’s PMQ as part of detour 2015! While there were 1600 photographs there, the 12 photographs included here depicting the daily food choices for those living at the poverty line in different Asian countries still remains as poignant.

I liked the light humour of Hu’s People Mountain People Sea, a literal translation of 人山人海, which means a huge crowd in Chinese. Hu juxtaposes scenes of Singapore with ‘cutouts’ of the Old Master Q comic character, and I thought it was pretty fun!

My favourite from ‘Margins’ is Soh’s photographs of the last SS24 train to depart from Tanjong Pagar Railway Station (see my photos of the station at this link) before the railway line was officially removed.

‘Margins: drawing pictures of home’ is showing until 28 February 2021.

Gardens by the Bay: Christmas Wonderland’s Walk of Lights

Ending off 2020 with some festive cheer! I wanted to do another re-visit of Christmas Wonderland since this year’s Walk of Lights featured some new light attractions that have not been shown before! Loved all the lights and as always, the luminarie light installations (made all the way from Italy) are so gorgeous and impressive! Here’s to a brilliant 2021!

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| Cover picture: Lucy Liu, Velocity (one side), 2001, mixed media on canvas |

National Museum of Singapore – Unhomed Belongings

2019 began with Unhomed Belongings at NMS, which did an interesting pairing of Lucy Liu’s and Shubigi Rao’s artworks. I especially liked Liu’s Lost and Found books, which contains objects that she picks up from the streets in whichever place she travels to. Rao’s highlight work for me was The Wood for the Trees that is part of her wider project on documenting destroyed books and libraries.

I love books and art, so I always like artworks that incorporate books in some way or another…

I next visited the i Light and Light to Night festivals centred around the 2019 Bicentennial and the new S.E.A. Focus art fair, which I had shared about in the two linked posts, click over to read more!

Science Centre Singapore – The Inventions of Ancient Greece

The last time I went to the Science Centre, I was there for a class trip, and I think it has been 11 years?? (Where does the time go?) I have a long-standing thing for ancient Greek stories and things, so I was intrigued when I saw banners advertising this exhibition around the city.

The exhibition featured replicas of Greek inventions that were made for both practical and aesthetic / for fun purposes, and it’s amazing to see how these inventions rely solely on physics, rather than the technology we see today. I really liked the hydraulic automaton of the “chirping birds” and of the “returning owl”. Depending on the water level in the container, the birds will chirp, only stopping when the owl turns towards them; when the water level lowers again, the owl turns away and the birds chirp again (as shown in the picture). The second exhibit above is a “robot” that automatically refills wine cups – how cool is that?

The exhibits came alongside videos showing how the inventions work. A shoutout as well to the friendly staff who kindly gave me and my sister a tour, helpfully explaining all of the exhibits in detail!

National Museum of Singapore – Packaging Matters

A quick visit again to NMS to see this exhibition on food packaging in 20th century Singapore! Some local coffee shops and chains still serve kopi in that flowery cup (second from left), which is nice to see!

ArtScience Museum – Wonderland

The travelling exhibition Wonderland from ACMI (Australian Centre for the Moving Image) was so fun! It shows the influence of the famous story of Alice and her image across film, photography, animation and many aspects of popular culture. I loved the sets designed for the exhibition (like the many doors!) and all the interactive elements, which made it feel like you were going down a quirky adventure too.

Wonderland made its first stop at ArtScience Museum on its global tour, so look out for it in your city! Also, I’m so glad that Singapore brings in many international exhibitions and artists’ works these days!

National Gallery Singapore – Lim Cheng Hoe: Painting Singapore

I visited National Gallery Singapore for their Awakenings and Lim Cheng Hoe: Painting Singapore exhibitions. I liked seeing the serene watercolour paintings by Lim of an older Singapore. The long-running Lim Cheng Hoe exhibition closes tomorrow on 5th Jan.

Asian Civilisations Museum – Guo Pei: Chinese Art and Couture

Seeing Guo Pei’s gowns and dresses at ACM was such a dream – every one of her creations is absolutely stunning! My most favourite were 冰雪皇后 (Snow Queen) and 大金 (Magnificent Gold Gown). I was so very excited to see 大金, because it was splashed all over Instagram when it was shown at The Met Museum’s China: Through the Looking Glass exhibition in 2015 (I did a review of the exhibition catalogue, linked here, though the catalogue doesn’t feature this dress). I couldn’t believe I could see the gown for myself!

STPI – Takashi Murakami: From Superflat to Bubblewrap

So, I can somewhat see the appeal of Takashi Murakami’s work and why he’s so popular, but I’m still not personally convinced. I’ve always found his work too “commercial”, if you will, and it’s interesting to note that the artist was commenting on the economic side of things (I can’t remember how it was phrased exactly) through these works. His works are meta – while commenting on commercialisation, his works have also become coveted commodities in the art market.

National Museum of Singapore – An Old New World

I visited NMS the most in 2019! An Old New World talks about the voyages of Dutch and British East India Companies back in their heyday and the trade that they engaged in in Singapore and in the region. I especially liked this exhibit (on loan from the Rijksmuseum, which I really want to visit!!) for its fusion sources of production – the wooden chest from Bavaria (present-day Jakarta), the porcelain from Japan, spices contained within the porcelain bottles traded across Asia, and the whole item commissioned by the Dutch East India Company.

An Old New World is on show till 29 March 2020.

ArtScience Museum – Disney: Magic of Animation

ArtScience Museum is on a great roll with their exhibitions – I absolutely loved Disney: Magic of Animation because it was like revisiting my childhood, and it was also wonderful seeing the art of my more recent Disney favourites like Tangled and Frozen II!

Disney: Magic of Animation is on show till 29 March 2020.

My final exhibition of 2019 was actually #futuretogether by teamLab at Gardens by the Bay, which I went to see on New Years’ Eve. Looking forward to all the art in 2020!

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This text-based installation was my favourite! I love how it made use of one of the bridges across the Singapore River as its site.

I felt this work was the most in (Bicentennial) theme of all, depicting a story of a traveller discovering an island… As for how water-light shows go, this felt like quite standard fare – I have probably seen too many in Singapore!!

I only realised the design was made up of laundry pegs until I saw it at closer range – I like the concept! Also caught a fashionista in action…

An interesting animation projected onto the facade of ArtScience Museum – always such a cool surface to work on.

This light installation took up a small part of the Helix Bridge, which was a fantastic site to make use of too! Lights kept flashing through the tubes on the bridge, so it did appear like I was in a space/time tunnel or something like that!

I gave up on catching these last few installations at night, and they definitely don’t look as nice as they do lit up in the nighttime!

I love this shot of the canopy of leaves above the Marina Bay landscape, so much that I find it so easy to miss the (unlit) neon tubes of Squiggle on the Marina Bay Promontory!

If you’d like to see how i Light Marina Bay 2018 was like, go over here for my blog post on it. As for this year’s edition, I’m not too sure how the Bicentennial theme really came across in the installations. I’d actually have preferred it if i Light hadn’t went along with this Singapore Bicentennial theme this year. But then again, the Bicentennial was making a huge splash during Singapore Art Week earlier this year, so I can see why i Light was planned to go along with the theme too.

Oh well, I hope i Light would be more inspiring next year! i Light returns to Marina Bay again in March 2020.

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As mentioned in my Art of 2018 post, I have so many opinions to share, so do read on as I go on at length, lol! My review of Minimalism at ArtScience Museum will be coming up soon in a separate post.

| Cover picture: Peter Kennedy, Neon Light Installations, 1970-2002, neon, composition board and synthetic polymer paint |

When the news of this new ‘blockbuster’ exhibition was released, I was quite curious and excited to see what National Gallery Singapore would come up with. Minimalism / Minimalist Art honestly isn’t the kind of art that I like that much, so I was expecting to learn more about Minimalism in the context of 1960s New York where it originated.

To start off with the exhibition opener, a little context is needed: At National Gallery Singapore, you go through a set of doors where there’s a small space, before going through another set of doors to enter the exhibition proper; same goes when you’re exiting each exhibition gallery.

So, I was a little rattled when I went through the first set of doors to be unexpectedly greeted by… Minimalist music? That was before I discovered that this was a sound exhibit and these musical exhibits are also played in other spaces between the exhibition galleries. In all fairness, I’m not that open-minded about music as I am towards art, so I find it difficult to get attuned to these kinds of ‘experimental’ music, if you will.

And then, the first exhibits you see is a section of black paintings by different artists, including Frank Stella, Ad Reinhardt, Mark Rothko, and Barnett Newman. I know that the argument goes that you should slow down and ponder on these paintings… but I just don’t see how opening an exhibition with a selection of purely black paintings is a good idea.

The beginning of the Minimalism exhibition follows a textbook example with artworks by notable Minimalist artists like Donald Judd, Robert Morris, Sol LeWitt, Dan Flavin, and Carl Andre. Take a look at the Tate’s explanation of Minimalism here to find out more, I also find Tate’s series of Art Terms very helpful!

I find this Sol LeWitt drawing very interesting because it’s drawn by an artist from Sol LeWitt’s studio along with the help of four former LaSalle students – a nice touch! – based on the artist’s instructions. I’m still not too sure how I feel about this concept of works created from an artist’s instructions that is commonly seen in Minimalist and conceptual art from the 1960s and 70s.

On this matter, I also want to share this recent article from The Art Newspaper about the Guggenheim decommissioning works made from instructions that were deemed not authentic enough.

The main issue I had with this exhibition comes up really quickly in the first gallery alone – the space was overly crowded with artworks. Minimalist art demands the viewer to be conscious of the space that the artwork is engaging with (ref: Tate). At this exhibition, I really did feel that I needed more space to consider the works, but there were so many artworks placed quite close to each other. From just a picture of/with Ian Burn’s work, you can see three other works reflected in it!

Ian Burn’s No object implies the existence of any other is “based on a quote from the 18th century Scottish philosopher David Hume on the nature of perception, knowledge and understanding.” I don’t fully grasp the meaning, but it’s funny how this object sure does reflect the existence of a few other objects in this setting.

I visited the exhibition on two occasions in December and later in February this year, but Dan Flavin, monument for V. Tatlin #43 was still not working…

I have a new fascination with Mona Hatoum’s works after seeing Impenetrable and + and – (at ArtScience Museum) in person. As I’ve always said, it really makes such a difference seeing art for yourself compared to seeing it on a screen!

At this point, the exhibition starts to break away into examples of how Minimalist tendencies have continued in contemporary art, such as Minimalism in London (e.g. Hatoum) and Minimalist work in Asia, although ArtScience Museum’s minimalism exhibition counterpart solely focuses on Minimalism in Asia.

I was quite interested in Lee’s work – godret stones “are traditionally used in Korea as weights to hold rope in place while tying knots or weaving mats”. I really like this idea of re-exploring traditional domestic objects in art.

Robert Irwin’s Untitled looks quite different / better in real life, because it’s made of one central disc that forms overlapping lights / shadows when lit. It has a very nice three-dimensional effect compared to how it appears as a flat surface when captured in a photograph.

This particular room with three very distinctive artworks is yet another example of the overcrowded feeling I got in this exhibition. You don’t get enough space to view these large works from different distances and angles – same goes for Peter Kennedy’s Neon Light Installations (cover picture above) which you could only capture in its entirety from the side of the room.

I so enjoyed being in Olafur Eliasson’s Room for one colour! It’s kind of weird at first, because you see the room in yellow – and then suddenly see the people around you in only grey tones! Photos don’t do it justice, it’s really something to experience for yourself. My eyes felt a little uncomfortable after being inside for a short while, but it’s definitely a very novel experience!

I have to say, Liu Jianhua’s Blank Paper really did look like paper with its slightly crinkled look to it, so it’s amazing to find out it’s actually made of porcelain!

Felix Gonzalez-Torres’s works always feel so deliberately intentional or full of meaning despite his use of seemingly unassuming objects, but I also find it very interesting how his works are able to capture so much attention from the viewer too.

I love how in-your-face Ai Weiwei’s Ton of tea is about, well, Pu’er tea or about Chinese tea in general. It’s a big block of dried tea leaves, and you can smell a faint waft of the tea leaves when you step closer to it.

Haegue Yang’s Sol LeWitt Upside Down series, two out of three sets captured here, hangs at the background of this picture. It’s essentially venetian blinds placed against an ultramarine blue wall, with reference to Yves Klein’s blue trademark. I’m not into it though… It looks too close to a room setting more than an installation. But I looked up other versions of Haegue Yang’s Sol LeWitt Upside Down and her large-scale installations look very cool in comparison, so perhaps it’s just these renditions that don’t work for me.

I’ve seen Ai Weiwei’s Sunflower Seeds so many times in pictures, and it felt kind of familiar when viewing it in person. It’s my favourite artwork in this exhibition (which might sound so typical, but whatever!). Each of the seeds are made in Jingdezhen, Jiangxi province, China, which is renowned for its production of porcelain and ceramics.

To see more porcelain works in Singapore, Asian Civilisations Museum has a Ceramics Gallery featuring largely Chinese ceramics, that I also really like!

Tatsuo Miyajima’s work always make use of ticking numbers, as an allusion to the cycle of life and rebirth. The numbers on Mega Death (captured as bright dots in this photo) continuously count down from nine to one. When it gets to zero, the blue lights go off and the installation becomes completely dark, before it turns back on and begins its cycle again.

I actually found it all – the blue colour and the countdown – quite eerie, which I suppose makes its point as it’s a statement about the mass destruction and violence of the 20th century.

Playing around with Anish Kapoor’s Non-Object (Door)! Its concave surface causes that warped effect as seen here.

I felt that the good side to this Minimalism exhibition was being able to view many works by great contemporary artists, but problems came up in its overcrowded space and in the theme itself. Most of the exhibition was dedicated to showing how Minimalism is still seen in art today, or in the closer contemporary era, but I don’t think this idea came across convincingly.

I find the works by living artists in the latter part of the exhibition too distinctive to be compiled under this broad idea of Minimalism. While the wall texts link each artwork to a certain concept found in original Minimalist works, I felt that the overall curation lost an established idea of what Minimalism is, or in showing why these works could be considered Minimalist in some way(s). I enjoyed viewing these works individually, but their relation to a curated theme of Minimalism just didn’t come across well to me.

I was finding it so difficult to express my thoughts on this exhibition clearly in this post, and then I got the idea to include a rating system! I think it’ll be so fun to include it in all my other exhibition reviews too!

For this exhibition, I’m going to give it 3 out of 5 stars – good artworks overall, but a lack of a curatorial direction makes the exhibition experience not very enjoyable. Share your opinions on this exhibition – leave your rating below!

3 / 5 stars for Minimalism: Space. Light. Object. at National Gallery Singapore

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Before I get into these events, I have to first say that the pre-opening act of Singapore Art Week (SAW) 2019 was the sudden cancellation of Art Stage Singapore. I’d always missed going to Art Stage – especially during my uni years when I would be in Hong Kong in January – but I’d intended to visit for the first time this year. Well, that didn’t happen, and the news of their cancellation caused such a big hoo-ha!

S.E.A. Focus

At least, there was the new boutique art fair S.E.A. Focus, which I was pretty interested in checking out. As the name suggests, the fair focuses on showing art from Southeast Asian artists – and it’s also nice to see stronger representation of Singaporean artists. I’ve heard so many Singaporeans complain that Singaporean artists aren’t more visible in Singapore itself, so it’s good to see more focus placed on them, too.

Of course, this gold coated Singapore-style dustbin was the first thing that caught my eye! For context, they’re usually green in colour and placed along the streets. I wish I knew the artist who made this, but there were no wall labels in this gallery’s booth. In fact, many booths didn’t have wall labels, some just hand-wrote the artists’ names on the wall – why, I wonder?

My favourites from STPI’s showing of Cheong Soo Pieng’s artworks. Not sure if these are part of STPI’s current exhibition on Cheong, but I must make the time to visit soon!

Light to Night Festival

Moving on to Light to Night Festival – there were two editions this year, firstly for Singapore Art Week with the theme ‘Traces and Echoes’ and the second for the Bicentennial (which ends tonight!).

I’m actually glad there were two versions of the festival, extending it from just a week to a whole month! I’d been so busy for the whole of January with work and life and yada yada, so I decided to check out the Bicentennial edition in February, which I thought would be more interesting.

Sticks is a light installation that keeps changing colours, and it’s inspired by the childhood game “pick-up sticks” and bakau piling, an old technique for constructing scaffolding. My sister tells me that she had played the sticks game during her primary school years, but I don’t seem to remember playing it too? Ah, a few years can already mean generation differences.

My favourite art skin was the one projected on the facade of The Arts House, about stories of the people who worked along the Singapore River. I like how the illustrations of the people projected on the columns remind me of Classical Greco-Roman sculptures!

There’s also this cute Alice in Wonderland-inspired installation, Open Books, situated outside The Arts House!

I really liked this quote! There were a few of these neon signs as part of the food bazaar outside National Gallery Singapore.

Yet another emphasis on Singapore Art… Though there’s still a ways to go.

I always love to capture National Gallery Singapore – the Supreme Court wing from this angle, and this is the most colourful I’ve seen it!

National Gallery Singapore’s art skin recounted the story of Singapore’s former Supreme Court and Civic District. I especially liked the bright colours projected on the Supreme Court wing, talking about how the building has been repurposed into an art museum, and the photographs of modern-day Singapore projected across the long stretch of the City Hall wing.

On the Bicentennial…

I had opted to only see the Bicentennial edition of Light to Night, due to lack of time and to see some light projections and installations that featured different narratives from the usual fare. As you can tell, the themes celebrate Singapore’s history and how far we have come.

While I did enjoy seeing these narratives, I’m not sure how the Bicentennial holds much significance in these festivals. The Bicentennial marks the 200th anniversary of Sir Stamford Raffles’ founding of modern Singapore in 1819. While this fact has never, in my opinion, held much negative connotation in the public eye, the focus on the Bicentennial this year seems to have tapped into issues of colonialism and post-colonialism vs. nationalism and nation-building that I feel has not been much discussed in Singapore before.

I think the problem here is: Should we celebrate a colonial past, for all its good and bad, or should we be celebrating Singapore’s own history since 1819? Or even pre-1819? Note that 7 Stories from 700 Years talks about a longer history of Singapore beyond the supposed Bicentennial mark.

Some say this uncovering of a longer history is a move to ‘decolonise’ Singapore, but I’m don’t think that’s effective when the Bicentennial term is used everywhere. It appears that the creation of a special Bicentennial that doesn’t even seem to be too sure of what it’s celebrating / commemorating has led to confusion and some ruffled feathers.

I feel that the public stir has also been triggered by the Raffles in Southeast Asia: Revisiting the Scholar and Statesman exhibition currently ongoing at Asian Civilisations Museum, in collaboration with the British Museum. I wasn’t initially all that interested to visit – I was put off by the steep price! But after reading news about visitors’ disgruntled comments about it, I want to see it for myself now… Probably on ACM’s programme days when tickets to the exhibition are at a $5 discounted rate.

In any case, I find ACM’s exhibitions hit and miss, and Raffles in Southeast Asia is probably going to be a miss. If you’ll like to see an exhibition on colonialism that is more sensitively done, check out my review of Artist and Empire at National Gallery Singapore in collaboration with Tate Britain here.

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2018 has been my full year back in Singapore since moving back, and at first, I thought there was less happenings in art here. After a while, things have picked up, but there have been many exhibitions and events that I didn’t choose to post in detail on this blog – lack of time is always a major reason for my lack of updates! So, I thought it would be nice to look back at all of the art exhibitions and events I went to this year!

Asian Civilisations Museum – Permanent Galleries

I started off 2018 with a visit to ACM to see their permanent galleries. I really loved seeing Tang Shipwreck with all of those painted bowls and those acorn-shaped game pieces (for gambling)!

ACM has just opened their new Christian and Islamic art galleries this month, so that’s something I’m definitely going to check out in 2019.

ArtScience Museum – Treasures of the Natural World

I went to see both ‘Treasures of the Natural World’ and ‘Art from the Streets’ at ArtScience Museum on the same day (double exhibition tickets are so worth it!). ArtScience Museum continues to be my favourite museum in Singapore as they have the best exhibitions.

I was surprised to find out that I really enjoyed seeing exhibits of preserved stuffed animals that look so life-like! All of the exhibits were on loan from Natural History Museum in London, which of course, I’m now planning to visit when I get myself to London!

National Museum of Singapore – The More We Get Together: Singapore’s Playgrounds 1930 – 2030

Peranakan Museum – Amek Gambar: Peranakans and Photography

There was then ‘The More We Get Together: Singapore’s Playgrounds 1930 – 2030’ at National Museum of Singapore, a simple exhibition talking about styles and models of playgrounds in Singapore. Basically, Singapore wins at urban planning, I have to say!

I also revisited Peranakan Museum for the first time in probably 10 years to see ‘Amek Gambar: Peranakans and Photography’. Sticking to the museum’s specialised theme of Peranakan culture, the Amek Gambar – meaning to take pictures – exhibition shows a range of black and white photographs of Peranakans and old cameras. The exhibition is on till February 3rd, 2019.

National Gallery Singapore – Rirkrit Tiravanija

I always visit National Gallery Singapore for exhibitions or events or just to bum at their Gallery & Co cafe. My first visit of the year was to see the new site-specific commissioned work of Rirkrit Tiravanija at NGS’ rooftop. It’s a large-scale bamboo structure with a pathway that you can walk through from one end to the other, and there’s also a Japanese teahouse in the centre, though it was too hot that day for me to join in in the tea ceremony events they were holding at the time.

Singapore Philatelic Museum – The Little Prince: Behind the Story

I like to visit Singapore Philatelic Museum (or the “Stamp Museum”) every once in a while to see their exhibitions that somehow always manage to incorporate stamps! It was nice to re-see Arnaud Nazare-Aga’s Little Prince sculptures at the ‘The Little Prince: Behind the Story’ exhibition. I had first seen them in Hong Kong in 2015 during the Christmas and New Year season – see the post here!

National Gallery Singapore – Children’s Festival

It’s always so fun at Children’s Festival at National Gallery Singapore seeing everyone, kids and adults, having fun playing with the artworks! The first one pictured is all kitchen sponges and for the second artwork, you could throw those triangle-shaped pieces and they would stick on the patterned wall.

I’m also very proud to say that I managed to speed-walk across Justiniani’s bridge in one piece this time round, HAHAHA! For last year’s edition, I was so scared of the never-ending depths of the illusionistic effect of the bridge that I actually paused while walking across it. I’m still kinda terrified of this kind of things, but clearly it’s only me, since all of the other kids were happily examining the details in the bridge.

National Library Singapore (Central) – Selling Dreams: Early Advertising in Singapore

‘Selling Dreams: Early Advertising in Singapore’ is a very well-researched and very big exhibition on advertisements in Singapore from the 1830s to the 1960s. I really recommend reading all of the details in the didactics for the exhibits, as they are all so interesting! This was probably the longest time I spent at an exhibition though, about 2 hours? The exhibition is on till 24th February 2019.

National Gallery Singapore – (Re)collect

I shared a mini review of ‘(Re)collect’ at National Gallery Singapore on my Instastories, now saved in my highlights, to try out a new format of sharing about exhibitions! That was really fun, but I also wanted to share Lee Lim’s composite photographs on a bigger screen, so that it would be clearer to see. His photographs appear like Chinese ink paintings, especially with their Chinese inscriptions and his seal on the sides of the paintings. It’s fascinating to see how photographs can also look like paintings in a way.

The Cathay – Whatshisname x Mighty Jaxx

The first time I saw these dogs, I was walking towards The Cathay from YMCA. From afar, I thought could this possibly be Jeff Koons’ Balloon Dog I’m about to see?? Well, turns out these weren’t Koons’ sculptures, but Whatshisname’s pooping dogs are humorous in their own way, yes? A total of 4 dogs were commissioned for The Cathay, and they are still on show!

Singapore Night Festival 2018

For this year’s Singapore Night Festival, I was excited to see FierS à Cheval by Compagnie des Quidams after seeing photos of their performance at the opening of Tai Kwun in Hong Kong (which I must visit!). Horses are my favourite animals, and the performers really captured the elegant movements of horses. Funnily enough, this performance was made for the Year of the Horse in 2014, but it’s been so popular that the company has continued to perform this show until now!

I also went to see the dress exhibits from World of WearableArt (WOW), which holds an annual award competition for fashion designers from all over the world to present their avant-garde designs. These two dresses were my favourite!

STPI – Handmade Readymades

These two prints by Lichtenstein were shown at STPI’s exhibition ‘Handmade Readymades’. The exhibition featured the prints of four 20th century American artists, Jasper Johns, Robert Rauschenberg, James Rosenquist and Roy Lichtenstein, but I only took a liking to Lichtenstein’s prints. The first time I visited STPI in 2015, I think, I also remember seeing and liking Lichtenstein’s prints. That aside, STPI always has top-notch exhibitions so I always like to visit. I’m looking forward to their Cheong Soo Pieng exhibition opening in January 2019!

Gardens by the Bay – Mid-autumn Celebrations

Gardens by the Bay had such a lovely display for the Mid-Autumn celebrations! The giant lanterns also gave me Story of Yanxi Palace vibes, which was everyone’s favourite drama of the year, right?? YASSS.

National Museum of Singapore – In an Instant: Polaroid at the Intersection of Art and Technology

‘In an Instant: Polaroid at the Intersection of Art and Technology’, a travelling exhibition that has made its stop at the National Museum of Singapore, was not what I was expecting at all!

The beginning of the exhibition charts out the history of the Polaroid, starting from its invention by Edwin Land, who was inspired by his daughter when she questioned on a holiday trip, why can’t we have our photographs printed out instantaneously, instead of going through the long process of developing film.

Most of the exhibition features artistic Polaroids following a few themes, but my favourites are these more contemporary shots captured on Polaroids. I didn’t realise that so many prominent artists and photographers had worked with Polaroid! The exhibition is on till 31st March 2019.

Affordable Art Fair Singapore 2018

I went for a quick walk through Affordable Art Fair in November, and all of my photos can be seen in my Instastories highlights! It was my first time attending it in Singapore and I found it much livelier that my experience at AAF in Hong Kong in 2015.

I found the paintings of those curly haired little, hmm, midgets by a Japanese artist (in the first two photos) really cute! There were also many South Korean galleries at the fair, and I really liked the style of these works by Korean artists (latter two photos).

ArtScience Museum – Future World (Revamped!)

This year was really the year of teamLab for me, seeing their works across ArtScience Museum, National Gallery Singapore and Marina Bay Sands. See my posts on teamLab – Part I and Part II!

I’d shared about ‘Future World’ at ArtScience Museum before it closed for revamp, and I was debating if I should visit the revamped exhibition… Guess what, I did! I bought a bundle ticket to see the new Future World and the Minimalism exhibition across ArtScience Museum and National Gallery Singapore, and I’m glad I did because I like the revamped exhibition even more! Also, I’m definitely going to do up posts on the ‘Minimalism: Space. Light. Object.’ exhibition(s) because I have so much opinions on it, so I would leave my comments for those upcoming posts.

Christmas!

We have reached Christmastime, the best time of the year!! This year’s theme of Disney Magical Moments for the Orchard Road Christmas decorations were so fun! I grew up on Disney, so this is definitely a special year!

Ion Art Gallery – Virtually Versailles

My last exhibition of the year was ‘Virtually Versailles’ at the Ion Art Gallery and Ion Sky, all the way up on the 55th floor of Ion Orchard. I already know that Versailles is on my travel wishlist, and this exhibition gave a taste of the Palace of Versailles’s architecture, decor and extensive art collection.

It’s mostly made up of a lot of videos, so I didn’t really capture many good photos of it. There are many interactive elements though, like biking around different parts of the palace (actual biking, virtual tour of palace), and having your face superimposed on royal portraits, which was really fun!! This free exhibition is on till 6th January 2019.

The last photo was a candid shot of me taken by my sister looking at the collection in the Palace, and it just seems like such a nice reminder to keep looking at all the art around us! Here’s to 2019!

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